commit 750d7d9c6a4cc1f29aaa2676ec3874d54e2a06c9
Author: Berrit Birkner <birkner@bbirkner.de>
Date:   Wed Feb 25 18:13:34 2026 +0100

    Initial commit

diff --git a/Josef-Rheinberger-Der-Stern-von-Bethlehem.ly b/Josef-Rheinberger-Der-Stern-von-Bethlehem.ly
new file mode 100644
index 0000000..111a46f
--- /dev/null
+++ b/Josef-Rheinberger-Der-Stern-von-Bethlehem.ly
@@ -0,0 +1,1669 @@
+\version "2.24.4"
+\language "deutsch"
+
+copyright = \markup { "©Berrit Birkner 2025" }
+
+\header {
+  title = "Der Stern von Bethlehem"
+  instrument = "Violine II"
+  composer = "Josef Rheinberger"
+  % LilyPond-Standard-Tagline entfernen
+  tagline = ##f
+  copyright = \copyright
+}
+
+ffp = #(make-dynamic-script "ffp")
+fpp = #(make-dynamic-script "fpp")
+sfpp = #(make-dynamic-script "sfpp")
+%% fix sempre p alignment
+psem =
+#(make-dynamic-script
+  (markup #:hspace 0
+          #:translate '(-1.85 . 0)
+          #:line (#:dynamic "p"
+                            #:normal-text "sempre")))
+ppppsem =
+#(make-dynamic-script
+  (markup #:hspace 0
+          #:translate '(-1.85 . 0)
+          #:line (#:dynamic "pppp"
+                            #:normal-text "sempre")))
+
+dynamicVoice = { \override Voice.Rest.stencil = ##f }
+
+get = \markup{\right-align "get."}
+pocoCresc = { \once\set crescendoText = \markup{\italic { "poco cresc." } } }
+sempreCresc = { \once\set crescendoText = \markup{\italic { "sempre cresc." } } }
+moltoRit = { \override TextSpanner.bound-details.left.text = \markup { \upright "molto rit." } }
+rit = { \override TextSpanner.bound-details.left.text = \markup { \upright "rit." } }
+sulG = \markup { "G-Saite" }
+conSord = \markup { \italic {"con sordino"} }
+senSord = \markup { \italic {"senza sordino"} }
+% pizz = #(define-music-function () ()
+%   #{
+%     % Show the playing instruction
+%     ^\markup { "pizz." }
+%     % Change the MIDI playback instrument
+%     \set Staff.midiInstrument = #"pizzicato strings"
+%   #})
+% arco = #(define-music-function () ()
+%   #{
+%     ^\markup {"arco" }
+%     \set Staff.midiInstrument = #"violin"
+%   #})
+pizz = \markup { \italic { "pizz." } }
+arco = \markup { \italic { "arco" } }
+aTempo = \markup { "a tempo" }
+dolce = \markup { "dolce" }
+marc = \markup { "marc." }
+ten = \markup { "ten." }
+
+%pausenHinweis = \markup
+
+\paper {
+  #(set-paper-size "a4")
+  ragged-last-bottom = #f
+  first-page-number = #2
+  print-first-page-number = ##t
+  scoreTitleMarkup = \markup {
+    \fill-line {
+      \fontsize #3 \bold \fromproperty #'header:piece
+      \fromproperty #'header:opus
+    }
+  }
+}
+
+\layout {
+  \context {
+    \Voice
+    \consists "Melody_engraver"
+    \override Stem.neutral-direction = #UP
+  }
+}
+
+global = {
+  %\set Score.rehearsalMarkFormatter = #format-mark-box-numbers
+  \compressEmptyMeasures
+  \override Hairpin.minimum-length = 4
+  \override MultiMeasureRestNumber.direction = #DOWN
+  \set Score.rehearsalMarkFormatter = #format-mark-alphabet
+  \override DynamicTextSpanner.style = #'none
+  \tagGroup #'(unfold percent)
+  \tagGroup #'(original stichnoten)
+  \tagGroup #'(instrument conductor)
+}
+
+globalI= {
+  \key a \major
+  \time 4/4
+  \tempo "Molto moderato"
+  \global
+}
+
+violinII_I = \relative c'' {
+  \globalI
+  % Die Noten folgen hier.
+  R1 |
+  r2^\conSord a,~\pp |
+  a1~ |
+  a2 r |
+  r r8 e''(\p d[ e]) | %5
+  cis( a fis gis h a h cis) |
+  e( d a h cis4 gis8 a) |
+  gis( e gis a gis2) |
+  a2.( e4) |
+  fis4.( e8 d4 e) | %10
+  d4 d(\< fis h) |
+  <e, h'>2\f r8 h16( cis  d e fis gis) |
+  a8-. e16([ fis]  gis a h cis) r8 a16( h  cis d e fis) |
+  r8 h,,16( cis  d e fis gis) r8 dis16( e  fis gis a h) |
+  r8 e,16( fis  gis a h cis) r8 a16( h  cis d e fis) | %15
+  r8 h,,16( cis  d e fis gis) r8 dis16( e  fis gis a h) |
+  r8 e,16( fis  gis a h cis) r8 a,16(\p h  cis d e fis) |
+  gis2. r4 |
+  \mark\default
+  r1 |
+  r2^\senSord r4 r8 gis,\p | %20
+  a2 <a dis> |
+  d!2. r4 |
+  d4( cis8\< h ais4.) cis'8 |
+  fis,2\! e4.\p e8 |
+  fis4( h, fis' e) | %25
+  \break
+  r2 r4 r8 cis\p |
+  d4( cis h) r4 |
+  <a e'>2\p <a dis> |
+  d!2. r4 |
+  d4( cis8 h ais4.) cis'8\f | %30
+  fis,8( d' cis h) e,4.\p e8 |
+  fis4( h, fis' e) |
+  \mark\default
+  r2 <h gis'>8^\pizz r r4 |
+  <cis e a>8 r8 r4 a4.(^\arco a'8) |
+  gis8-. r r4 r8 h,16( cis  d e fis gis) | %35
+  r8 e16( fis  gis a h cis) dis16( fis e dis  e cis a e) |
+  e2~\p e8 h'(\< a gis) |
+  <fis a>2.\sf r8 fis\p |
+  gis4( h,)~ h8\< cis( dis e) |
+  fis2.\sf r8 fis\p | %40
+  gis4 r <a, e'>2 |
+  a'( gis) |
+  r8 d4. r8 d4.\< | %Partitur
+  dis8(\f\< gis h dis) <cis e>4-.\sf r4 |
+  \tag #'percent { \repeat percent 2 { dis,4.\fp dis8 dis4. dis8 | }} %45
+  \tag #'unfold { dis4.\fp dis8 dis4. dis8 | %45
+                  dis4. dis8 dis4. dis8 | }
+  \mark\default
+  \repeat tremolo 4 { e16(\sf\> fis) } \repeat tremolo 4 { e16(\p fis) } |
+  gis4 r h,4.( fis'8) |
+  fis4( eis) cis(\< e8\> d) |
+  \time 3/2
+  cis4(\! a'2 g4) g2 | %50 %Partitur
+  r4 
+  <<
+    {
+      <fis a>2\< <e a>4 <dis c'>2 | %Partitur
+      e'2\ff e <d, d'> | %Partitur
+    }
+    \\
+    {
+      s4*5 |\small <e c'>4 s <e c'>
+    }
+  >>
+  <a f'>1 <c e>4 c~->( |
+  \time 4/4
+  \noBreak
+  c\mf h8 c) a4( e)~ |
+  \noBreak
+  e( d8 e c4) f'4~(\sf | %55
+  \noBreak
+  f e8 d) cis![( d) r d,] |
+  \repeat tremolo 4 { d16( e) } \repeat tremolo 4 { d16( e) } |
+  %\pageBreak\partial 1. s2\bar "|" \pageBreak
+  \mark\default
+  \repeat tremolo 4 { fis16(\pp d) } \repeat tremolo 4 { e16( cis) } |
+  e16( d e d  e16 cis e cis) \repeat tremolo 4 { e16( h) } |
+  <<
+    { e8( a cis e) fis,8( a dis\< fis) | \oneVoice gis4--\! } %Partitur
+    \\
+    { cis,,8( e a cis) dis,8( fis a dis!) | }
+  >> %60
+  a'4-- h-- r8 h,\f |
+  h( d, cis' d) e( cis e fis) |
+  e( d cis h) e,4.\p e8 | %Partitur
+  fis4( h, fis' e) |
+  << { \oneVoice
+  \tag #'percent {
+    \repeat percent 2 { e16( cis) cis( e) } \repeat percent 2 { fis16( d) d( fis) } | %65
+    \repeat percent 2 { fis16( d) d( fis) } \repeat percent 2 { gis16( eis) eis( gis) } |
+    \repeat percent 4 { a16( fis) fis( a) } |
+    \repeat percent 2 { a16( d,) d( a') } \repeat percent 2 { b16( f) f( b) } |
+    \repeat percent 2 { b16( f) f( b) } b16( g) g( b) a16( f) f( a) |
+  }
+  \tag #'unfold {
+    e16( cis) cis( e) e16( cis) cis( e)  \repeat unfold 2 { fis16( d) d( fis) } | %65
+    \repeat unfold 2 { fis16( d) d( fis) } \repeat unfold 2 { gis16( eis) eis( gis) } |
+    \repeat unfold 4 { a16( fis) fis( a) } |
+    \repeat unfold 2 { a16( d,) d( a') } \repeat unfold 2 { b16( f) f( b) } |
+    \repeat unfold 2 { b16( f) f( b) } b16( g) g( b) a16( f) f( a) |
+  }
+     }\\ \new Dynamics { s1\pp | s2 s2\< | s1\! | s2\< s\f | } %Partitur
+  >>
+  \time 3/2
+  b4( f2) b8(\p f b f b f) |%70
+  a f4 a8~ a f4 a8~ a f4 a8~ |
+  \noBreak
+  a a(\cresc c\! a) r g( b g~ g) g( b g) |
+  g( a) a( fis!)~ fis fis4 a8~ a a( c a) |
+  \noBreak
+  \set Timing.beamExceptions = #'()
+  \set Timing.baseMoment = #(ly:make-moment 1/4)
+  \set Timing.beatStructure = #'(1 1 1 1 1 1)
+  a8[( h) h( gis!)] << { \oneVoice
+  \tag #'percent {
+    \repeat percent 2 { gis16( h) h( gis) } \repeat percent 2 { a16( h) h( a) } |
+    \repeat percent 2 { a16( h) h( a) } gis16([ h) h( gis)] %~
+    gis'16( e) e( gis) e16([ h) h( e)] h16( gis) gis( h) | %75
+    \repeat percent 6 { e,16( fis) fis( e) } |
+  }
+  \tag #'unfold {
+    \repeat unfold 2 { gis16( h) h( gis) } \repeat unfold 2 { a16( h) h( a) } |
+    \repeat unfold 2 { a16( h) h( a) } gis16([ h) h( gis)] %~
+    gis'16( e) e( gis) e16([ h) h( e)] h16( gis) gis( h) | %75
+    \repeat unfold 6 { e,16( fis) fis( e) } |
+  }
+  \repeat tremolo 4 { fis16( d) } \repeat tremolo 4 { e16( cis) } \repeat tremolo 4 { e16( cis) } |
+  \repeat tremolo 4 { fis16( d) } \repeat tremolo 4 { e16( cis) } \repeat tremolo 4 { e16( cis) } |
+                       }\\ \new Dynamics { s1\ff | }
+  >>
+  \mark\default
+  \time 4/4
+  d4. r8 <cis e>4. r8 |
+  <fis a>4. r8 <e a>4. cis'8 | %80 %Partitur Bindung
+  cis4 h2 a4 |
+  d, <d h'> d <d a'> |
+  d g2 fis4 |
+  <d h'>8\ff d16 e   fis g a h  r8  h,16 cis  d e fis g |  %Partitur Dynamik
+  r8 a16 h   cis d e fis  r8  a,16 h  cis d e fis | %85
+  r8 a,16 h   cis d e fis  r8\mf  a,,16 h  cis d e fis |
+  \mark\default
+  R1 |
+  \tupletSpan 4
+  \times 2/3 { r8 h'^\pizz a   fis d h \omit TupletNumber  a fis d \once\omit TupletBracket  h a r } |
+  r1 | \undo\omit TupletNumber
+  r4 \times 2/3 { a''8 fis d \omit TupletNumber  cis a fis   d cis a } | %90
+  r1 |
+  \undo \omit TupletNumber
+  \times 2/3 { r8^\arco\mf a a \omit TupletNumber   a( a')\< a %~
+               \once\omit TupletBracket  r a a   a( a') a } |
+  <a, a'>4(\f b'2) d,4 |
+  f2( gis4.) f8 |
+  \undo\omit TupletNumber
+  e2(\dim cis4\! a) | %95
+  \times 2/3 { <d, h'>4.:8\p <d h'>: \omit TupletNumber <d h'>2.:\< } |
+  \times 2/3 { <d h'>:\fp <d h'>4.: fisis: } |
+  \times 2/3 { gis2.:\f h: } |
+  \times 2/3 { h4.:   gis,8 a ais   h\< cis d   e fis gis } |
+  a8\! e16 fis   gis a h cis   h( a) e a   h cis d e | %100
+  d16( cis) a cis   e gis a cis   h( a) e cis   e a, cis e |
+  a1~ |
+  a~ |
+  a\fermata |
+  \bar "|."
+  \pageBreak
+}
+
+globalII = {
+  \tempo Allegretto
+  \time 3/8
+  \key f \major
+  \global
+}
+
+violinII_II = \relative c'' {
+  \globalII
+  a8[^\pizz r a] |
+  b8[ r b] |
+  a8[ r f] |
+  f8[ r f] |
+  f8[ r a] | %5
+  g8[ r g] |
+  f8[ r f] |
+  g8[ r <f a>] |
+  <f b>8[ r b] |
+  b8[ r b] | %10
+  b8[ r d,] |
+  es8[ r es] |
+  d8[\mf r b'] |
+  g8[ r f] |
+  f r r | %15
+  c\sf r r |
+  c4^\arco-- b8~-- |
+  b a4-- |
+  e'16(\p\< f a g\> f e) |
+  c4--\mf b8~-- | %20
+  b a4-- |
+  e'16(\p\< f a g\> f e) |
+  f8[\! r c]~ |
+  c8[ r c]~ |
+  c8[ r c]~ | %25
+  c8[ r c]~ |
+  c8 r r |
+  c8-- r r |
+  c8-- r r |
+  R4. | %30
+  \mark\default %A
+  R4.*7 |
+  r8 c(\< e) |
+  es4.\mf |
+  d8( f d) | %40
+  f4.~ |
+  f4 d8(\sfp |
+  e!)[ r e]( | %Partitur
+  f)[ r f]( |
+  f)[ r f]( | %45
+  e)[ r <g, e'>]^\pizz |
+  <a f'>[ r <a f'>] |
+  <g e'>[ r <g e'>] |
+  <a f'>[ r <a f'>] |
+  <g e'> r r | %50
+  \mark\default %B
+  R4.*3 | %\pageBreak
+  %\mark\markup{ "(" \override #'(expand-limit . 2) \multi-measure-rest-by-number #3 ")" }
+  r8 r e'(^\arco\p |  %Partitur Dynamik
+  a4.) | %55
+  d,8( g f) |
+  e8(\< a\> e) |
+  f4\! d16( f) |
+  f8(-. f-.\< f)-. |
+  f8(-. d-. e)-. | %60
+  <c f>8(-.\f <c f>-. <c f>)-. |
+  \after 8\> <b f'>4. |
+  \rit
+  b(\pp\startTextSpan |
+  \noBreak
+  g4 e'8)\stopTextSpan |
+  f8[^\aTempo r a,] | %65
+  b8[ r f'] |
+  f8[ r c] |
+  d8[ r d] |
+  c4--\mf b8~-- |
+  b a4-- | %70
+  e'16(\p\< f a g\> f e) |
+  c4\mf b8~ |
+  b a4-- |
+  \break
+  e'4 c8~\pp | %Partitur Dynamik
+  \mark\default %C
+  c4 c8~ | %75
+  c4 c8~ |
+  c4 c8~ |
+  c4 f8~\< |
+  \after 8\! f4\! f8 |
+  e4(\> f8) | %80
+  e4(\! f8) |
+  r8 r b \mf |
+  a( g f) |
+  f( d f) |
+  a(\f b c) | %85
+  b[ r b]\p |
+  e,(-.\< e-. e-.) |
+  f4\sfp f8 |
+  f4.( |
+  e8)[ r <g, e'>]^\pizz | %90
+  <a f'>[ r <a f'>] |
+  <g e'>[ r <g e'>] |
+  <a f'>[ r <a f'>] |
+  <g e'> r r |
+  \mark\default %D
+  R4.*3 |
+  \break
+  r8 r e'(^\arco\mf |
+  a4.) |
+  d,8(\p g f) | %100
+  e8(\< a\> e) |
+  f4\! d16( f) |
+  f8(-. f-.\< f)-. | %Partitur
+  f8(-. d-. e)-. |
+  <c f>8(-.\f <c f>-. <c f>)-. | %105
+  <b f'>4.\> |
+  \rit
+  b(\pp\startTextSpan |
+  g4 e'8)\stopTextSpan |
+  f8[^\aTempo r a,] |
+  b8[ r f'] | %110
+  f8[ r c] |
+  d8[ r d] |
+  c4--\mf b8~-- |
+  b a4-- |
+  e'16(\p\< f a g\> f e) | %115
+  c4\mf-- b8~-- |
+  b a4-- |
+  e'4 r8 |
+  \mark\default %E
+  c'4.~\f |
+  \noPageBreak
+  c16( h b a g f) | %120
+  e16( d c b a g) |
+  a'16( g f e d c) |
+  f4.-> |
+  c4.-> |
+  c4.-> | %125
+  c4 r8 |
+  f'4.~\f-> |
+  f16( e! es d c b) |
+  a16( g f es d c) | %130
+  d'16( c b a g f) |
+  e!8(\mf g, e') |
+  f8( a, f') |
+  f8( d f) |
+  <c e>4. |
+  <a f'>8[\f r <a f'>] | %135
+  <g e'>8[ r <g e'>]\p |
+  <a f'>8[ r <a f'>] |
+  <g e'>4 r8 |
+  \mark\default %F
+  dis'8^\pizz r r |
+  e8 r r | %140
+  R4. |
+  r8 r e(^\arco\mf | \noBreak
+  a4.) |
+  d,8(\p g f) |
+  e8(\< a\> e) | %145
+  f4\! d16( f) |
+  f8(-. f-. f)-. |
+  f8(-.\< d-. e)-. |
+  <c f>8(-.\f <c f>-. <c f>)-. |
+  \after 8\> <b f'>4. | %150
+  \rit
+  b(\pp\startTextSpan |
+  g4 e'8)\stopTextSpan |
+  f8[^\aTempo r a,] |
+  b8[ r f'] |
+  f8[ r c] | %155
+  d8[ r d] |
+  c4--\mf b8~-- |
+  \noBreak
+  b a4-- |
+  e'16(\p\< f a g\> f e) |
+  c4\mf-- b8~-- | %160
+  b a4-- |
+  e'4 a8(\pp |
+  \mark\default %G
+  g f e) |
+  f( c f) |
+  <<
+    {
+      g8(\< a c) | %165
+      a4\! 
+    } \\ {
+      e8( f g) | %165
+      c,4
+    }
+  >>
+  f8~\mf |
+  f4 f8 |
+  <c e>4\> c8( |
+  e4)\p c8~ |
+  \noBreak
+  c16(\< e g b d8)\f | %170
+  << { c8( b a) } \\ { es4. } >> |
+  <d b'>8( f b) |
+  << { c8( d f) } \\ { a,8( b c) } >> |
+  <f, d'>4 b8(\fp |
+  e,!4) e8(\< | %175
+  \after 8\> f4) f8\! | %Partitur
+  f8( d f) |
+  e(-.\< e-. e-.) |
+  <f a>\f <f a> <f a> |
+  <e c'>(-. <e c'>-. <e c'>)-. | %180
+  <f c'>(-.\p <f c'>-. <f c'>)-. |
+  <e c'>4 r8 |
+  \mark\default %H
+  dis4.(\pp |
+  e4) r8 |
+  R4. | %185
+  r8 r e(\mf |
+  a4.) |
+  d,8(\p g f) |
+  e(\< a\> e) |
+  f4\! d16( f) | %190
+  f8(-.\< f-. f)-. | \noBreak
+  f(-. d-. e)-. |
+  <c f>(-.\f <c f>-. <c f>)-. |
+  <b f'>4.(\>\startTextSpan |
+  b4.\pp | %195
+  g4 e'8)\stopTextSpan |
+  f8[^\aTempo r a,] |
+  b8[ r f'] |
+  f8[ r c] |
+  d8[ r d] | %200
+  c4--\p b8~-- |
+  b a4-- |
+  e'16(\< f a g\> f e) |
+  c4\mf-- b8~-- | \noBreak
+  b a4-- | %205
+  \mark\default %Imark
+  e'16(\p\< f a g\> f e) |
+  f8[\! r c]~ |
+  c8[ r c]~ |
+  c8[ r c]~ |
+  c8[ r c] | %210
+  f(-.\pp f)-. r |
+  e(-. e)-. r |
+  d(-. d)-. r |
+  c(-. c)-. r |
+  b(-. b)-. r | %215
+  a(-. a)-. r |
+  c(-. c)-. r |
+  c(-. c)-. r | %Partitur Bindung
+  R4.*2 | %220
+  <g e'>4.~\fp |
+  <g e'>4.~ |
+  <g e'>4.~\pp | %Partitur Dynamik
+  <g e'>4. |
+  R4. | %225
+  <c g'>8^\pizz r r |
+  <c f> r r |
+  f r r |
+  R4.^\fermata |
+  \bar "|."
+  \pageBreak
+}
+
+
+
+globalIII = {
+  \tempo "Andante maestoso"
+  \time 4/4
+  \key c \major
+  \global
+  \partial 2
+  \set Score.currentBarNumber = #2
+}
+
+violinII_III = \relative c'' {
+  \globalIII
+  r2 |
+  r4 b,(\p as2~ |
+  as) r |
+  R1*2 |
+  r4 b(\p as2~ | %5
+  as) r |
+  f':64\pp <g, e'!>: |
+  <a f'>:\fp f': |
+  c4: c8 r d4(-. e)-. |
+  r8 f4(\pp f'8) f4. r8 | %10  %Partitur
+  r8 g,4( g'8) g4. r8 |
+  r4 f,( f') r |
+  r d,2.~ |
+  d2 r |
+  \mark\default %A
+  \key d \major
+  \bar "||"
+  r2 e~\p | %15
+  e4 r fis2~\mf |
+  fis4 r a(\f cis) |
+  r8 <fis, a>16.[\ff <fis a>32 <fis a>8 <d d'>]   <fis a> <d d'> <fis a> <e cis'> | %Partitur 4+ Noten
+  <fis d'>8 <fis a>16. <fis a>32 <fis a>8 <d d'>   <fis a> <d d'> <fis a> <e cis'> | %Partitur 4+ Noten
+  <fis d'>4 r4 r2 | %20
+  c2.\p r4 |
+  r e( d2~ |
+  d) r4 fis\pp |
+  e2.( dis4) |
+  r4 fis( eis) r | %25
+  r4 cis( gis') r |
+  r ais( fis2~ |
+  fis4) fis2( eis4) |
+  fis2. r4 |
+  \mark\default %<B
+  r8 <dis h'>16.[\f <dis h'>32 <dis h'>8 <dis h'>]   <dis h'> <dis h'> <dis h'> <e ais> | %30
+  <dis h'>8[ <fis a!>16.\ff <fis a>32 <fis a>8 <d a'>]   <fis a> <d d'> <fis a> <e cis'> |  %Partitur 2+, 4+ Noten 
+  <fis d'> <d a' fis'>4( g'8) fis( e) a,4~ |
+  a8 fis'( a) g fis( e) a,4 |
+  \tempo "Maestoso"
+  d,8\ff e16 fis g8 fis16 e   fis8 g16 a h8 a16 g | %Partitur Dynamik
+  d'8 fis16 e d8 cis16 h   a8 e16 g fis8 e16 d | %35
+  cis8 cis'16 h a8 gis16 fis   e8 d16 cis h8 e |
+  a,8 a'16 gis a8 e cis a <fis' a>4 |
+  <fis d'>8 d16 e fis8\< g16 a   h8 h16 cis d8 e16 fis |
+  <h, g'>4\! << { g'2 } \\ { h,4( a) } >> <a fis'>4 | %40
+  <h e> d cis d |
+  d2( cis4) h |
+  a4 r8. <e cis'>16 <e cis'>4 <e cis'> |
+  <e cis' a'>4 r\fermata r8 a(\p \slashedGrace c b[ a]) |
+  \bar "||"
+  %\pageBreak
+}
+
+globalIV = {
+  \tempo "L'istesso tempo"
+  \time 4/4
+  \key d \minor
+  %\partial 2
+  \global
+}
+
+violinII_IV = \relative c'' {
+  \globalIV
+  g8(-. f-. e-. d)-. cis[( e b8.-> a16)] |
+  a16(\pp d f e  d f b a)   gis( a f d  cis e b a) |
+  a16( d f e  d f b a)   gis( a f d  e g des c!) |
+  c16( f a g  f a d c)   h( c a f  e g e c) |
+  \override DynamicLineSpanner.staff-padding = #3.6
+  b16( a c b  a\< d f b)\!   a( gis b\> a  gis a\! g e) | %5 %Partitur Dynamik
+  \mark\default %Amark
+  a,16(\pp d f e  d f b a)   gis( a f d  cis e b a) |
+  a16( d f e  d f b a)   gis( a f d  e g des c!) |
+  c16( f a g  f a d! c)   h( c a f  e g e c) |
+  \override DynamicLineSpanner.staff-padding = #3.85
+  a16( g' f e  a,\< d f b)   a(\! b a\> gis  a g\! f e) |
+  a,2\p r4 a | %10 %Partitur Dynamik
+  \revert DynamicLineSpanner.staff-padding
+  \after 4\< b2 c |
+  d16(\f g b a  g b es d)   cis( d b g)   d4 |
+  <g, es'>1:64\fpp |
+  d': |
+  \rit
+  d8\startTextSpan r8 r4 cis8 r r4\stopTextSpan | %15
+  \mark\default %Bmark
+  d4^\aTempo r8 d-. fis4-. r8 fis-. |
+  g4-. r8 g-.\> g4( fis) |
+  g,\pp r g'( fis) |
+  g d8.(\< b'16) b4(\> es,) |
+  d4.\! r8 r4 c8 r | %20
+  <g es'>4 r r g' |
+  c,\pp c r c |
+  r c(\< es2)\> |
+  a,2(\! b4\< c) |
+  b\sf r4 <c es>\p r | %25
+  b(\< d) <d b'>-.\sf r |
+  \mark\default %Cmark
+  r16 e(\pp cis a  gis a cis e)    r f( d a)  r fis'( dis a) |
+  r16 e'( g b)  r b(\f\> cis g')    r a,( cis f)  r a,( cis e) |
+  a,,16(\pp d f e  d f b a)   gis( a f d  cis e b a) |  %Partitur Dynamik 3 Tonhöhe
+  a16( d f e  d f b a)   gis( a f d  e g des c!) | %30
+  c16( f a g  f a d! c)   h( c a f  e g e c) |
+  a16( g' f e  a, d f b!   a8) r cis,4\< |
+  c!16\f c c r r4 r2 |
+  <b d>1\p\< |
+  <a d>4\! r r2 | %35
+  \tag #'original { R1*2 | }
+  \tag #'stichnoten {
+    R1 |
+    << { R1 } \\ \new CueVoice { \set instrumentCueName = "Vl1" a8[-. a-. r a-.] a8[-. a-. r a-.] | } >>
+  }
+  g8[-.\pp g-. r g-.] h8[-. h-. r h-.] |
+  a8[-. a-. r a-.] a2( |
+  h d)~ | %40 %Partitur Bindung
+  d1~ |
+  d~ |
+  d |
+  \bar "|."
+  \pageBreak
+}
+
+
+globalV = {
+  \tempo "Molto andante"
+  \time 3/4
+  \key f \major
+  %\partial 2
+  \tupletSpan 4
+  \global
+}
+
+violinII_V = \relative c'' {
+  \globalV
+  R2. |
+  e,2\p e4 |
+  f2 f4 |
+  c2 c4~ |
+  c a( c) |
+  e( c f) | %5
+  e( c e) |
+  f( c f) |
+  r c(\mf f) |
+  r c( e) |
+  r c( f) | %10
+  r c(\< e) | %Partitur 4 Tonhöhe
+  c'(\f b8 a g a) |
+  <d, b'>2 r4 |
+  \mark\default %Amark
+  R2.*2 | %15
+  <d h' g'>4\f^\pizz r r |
+  r g2~^\arco |
+  g2 r4 |
+  r a2~ |
+  \noBreak
+  a r4 | %20
+  a2.\> |
+  gis2(\! g4) |
+  fis2(\p f4) |
+  e2.( |
+  \mark\default %Bmark
+  c2) r4 | %25
+  R2. |
+  r4 d\mf-- e-- |
+  f( a g) |
+  e(\< a\f g) | %Partitur 1 Tonhöhe
+  f( e f) | %30
+  c8 e4\p e e8 |
+  d2 <g, g'>4 |
+  c( e g) |
+  g( d\< <g, g'>) | %Partitur Dynamik
+  g'8\f g,4( c8 e gis) | %35
+  a( g) \times 2/3 { a(-. h-. c)-.  d(-. e-. f)-. } |
+  g!4( g,8 a) h( c) |
+  c( e,4) c8(\p e a) |
+  a2( d,4) |
+  << { \oneVoice e2\pp e4(\< | %40
+       f2.)\> |
+       e2\! r4 | } \\ { s4 s s } >>
+  e2 e4 |
+  f2\< f4 |
+  c2\!-> r4 | %45
+  \mark\default %Cmark
+  f'2(\p a,8. f'16) |
+  e2( f4) |
+  e4\<-- e4-- e4-- |
+  f2.\p |
+  R2.*2 | %51
+  r4 c8^\pizz r a r |
+  es[ r f] r d4~(\p^\arco | %Partitur Dynamik
+  d e!) g~( |
+  g f) f~\f | %55
+  f2 f4 |
+  e( f g) |
+  f( b a) |
+  g( d e) |
+  f( b a) | %60
+  <e g>(\> <f a> <g b>) |
+  f2.\p^\aTempo |
+  e4( f e) |
+  f2.\pp |
+  c4-. r r |
+  f'2(\pp a,8. f'16) | %65
+  f2( a,8. f'16) |
+  \mark\default %Dmark
+  f2.~ |
+  f4 r r |
+  R2.*4 | %72
+  r4 c,(\mf f) | %Partitur Dynamik
+  r4 c( e) |
+  r4 c( f) | %75
+  r4 c(\< e) |
+  c'(\f b8 a g a |
+  <d, b'>2) r4 |
+  R2.*2 | %80
+  <d h' g'>4\f^\pizz r r | %Partitur Dynamik
+  \mark\default %Emark
+  r g2~\p^\arco |
+  g r4 |
+  r a2~ |
+  a r4 | %85
+  a2.\< |
+  gis2(\f g4) |
+  fis2( f4) |
+  e2.( |
+  c2) r4 | %90
+  R2. |
+  r4 d--\mf e-- |
+  f( a g) |
+  e(\< a\f g) | %Partitur Dynamik
+  f( e f) | %95
+  c8 e4\p e e8 |
+  d2 <g, g'>4 |
+  c( e g) |
+  g( d\< <g, g'>) | %Partitur Dynamik
+  g'8\f g,4( c8 e gis) | %100
+  a( gis) \times 2/3 { a(-. h-. c)-.  d(-. e-. f)-. } |
+  g4( g,8 a) h( c) |
+  c( e,4) c8(\p e a) |
+  a2( d,4) |
+  e2\pp e4(\< | %105
+  f2.)\> |
+  e2\! r4 |
+  e2 e4 |
+  f2\< f4 |
+  c2\> r4 | %110
+  \mark\default %Fmark
+  f'2(\p a,8. f'16) |
+  e2( f4) |
+  e--\< e-- e-- |
+  f2.\p |
+  R2.*2 | %116
+  r4 c8^\pizz r a r |
+  es r f r d4~(\p^\arco |
+  d e!) g~( |
+  g f) f~\f | %120
+  f2 f4 |
+  e( f g) |
+  f( b a) |
+  g( d e) |
+  f( b a) | %125
+  <e g>(\> <f a> <g b>) |
+  f2.\p^\aTempo |
+  e4( f e) |
+  f2.\pp |
+  c4-. r r | %130
+  f'2( a,8. f'16) |
+  f2.~ |
+  f2 r4 |
+  R2.*2 | %135
+  a,,4\pp^\pizz r r |
+  a r r\fermata |
+  \bar "|."
+  %\pageBreak
+}
+
+globalVI = {
+  \time 2/4
+  \key a \minor
+  \global
+  \tupletSpan 8
+  \set Timing.beamExceptions = #'()
+  \set Timing.baseMoment = #(ly:make-moment 1/2)
+  \set Timing.beatStructure = #'(1)
+}
+
+violinII_VI = \relative c'' {
+  \globalVI
+  \tempo "Allegro"
+  \partial 8
+  r8 | 
+  R2*3 |
+  \omit TupletBracket
+  r4 r8 \times 2/3 { g,16\p g g } | %5
+  \times 2/3 { c[ c \set stemRightBeamCount = #1 c %~
+               \set stemLeftBeamCount = #1  d d d] %~
+               e\sf e \set stemRightBeamCount = #1 e %~
+               \set stemLeftBeamCount = #1 h h h } |
+  \times 2/3 { c8.:16 e: a:\sf g: } |
+  \omit TupletNumber \undo\omit TupletBracket
+  \times 2/3 { c:\sf g: h:\sf g: } |
+  \times 2/3 { a: f: g: gis: } |
+  \times 2/3 { a:\sf e: g!:\sf e: } | %10
+  \times 2/3 { f: d: e: gis: } |
+  \times 2/3 { a:\< h: c: dis: } |
+  \times 2/3 { <h e>4.:\sf <h e>8.: gis: } |
+  \times 2/3 { a:\< h: c: dis: } |
+  \times 2/3 { <h e>4.:\sf } <h e>8-. e,-. | %15
+  \mark\default %Amark
+  \times 2/3 { a,8.:\f c: e: a: } |
+  c8 r r4 |
+  \undo\omit TupletNumber
+  r8 \times 2/3 { f,16( g a) } r8 \times 2/3 { f16( g a) } |
+  \omit TupletNumber
+  r8 \times 2/3 { a16( h c) } r8 \times 2/3 { a16( h c) } |
+  r8 \times 2/3 { d,16(\p\> e f) } r8\! \times 2/3 { d16(\> e f) } | %20
+  \undo\omit TupletNumber
+  r8\! <d f>4 <d f>8 |
+  r <h d>4 <h d>8 |
+  r c4 \times 2/3 { e16 e e } |
+  \omit TupletNumber
+  \times 2/3 { a8.: h: c:\sf gis: } |
+  \times 2/3 { a: c: f:\sf e: } | %25
+  \times 2/3 { a:\sf e: g:\sf e: } |
+  \times 2/3 { f: d: } e8[-. gis,]-. |
+  \undo\omit TupletNumber
+  a(\p e c a') |
+  gis( e h gis') |
+  a( e c a') | %30
+  h(\< g d h') |
+  c(\f a f c') |
+  c( e,) e( a) |
+  gis(\dim e h gis') |
+  fis( dis h fis') | %35
+  gis([\p e] h) \times 2/3 { g'16[ g g] } |
+  \omit TupletNumber
+  \times 2/3 { a8.:16\< h: c: dis: } |
+  \times 2/3 { <h e>4.:\sf <h e>8.: gis: } |
+  \times 2/3 { a8.:\< h: c: dis: } | %Partitur Dynamik
+  e4\sf r | %40
+  \undo\omit TupletNumber
+  \mark\default %Bmark
+  <c, a'>^\pizz r |
+  <g g'> r |
+  <e' c'> r |
+  <e h'> r |
+  <e e'>\sf r | %45 %Partitur Dynamik
+  <e d'> <e c'> |
+  <e h'> r |
+  <e h'> r |
+  <e c'> r |
+  <b e> r | %50
+  <e c'> r |
+  <e cis'> r |
+  <e cis'> r |
+  <g e'> r |
+  <e cis'> r | %55
+  <e cis'> c' |
+  <e, h'> r |
+  <e h'> r |
+  <fis h> r |
+  <fis h> r | %60
+  <e h'>\p^\arco r8 a-. |
+  gis4 r8 c-. |
+  h4 r8 c-. |
+  h4-. r |
+  \mark\default %Cmark
+  R2*2 | %66
+  \pageBreak
+  \tag #'instrument { \tempo \markup{ \parenthesize { \override #'(expand-limit . 1) \multi-measure-rest-by-number #2 } } }
+  r4 r8 f-.\mf |
+  e-. d-. c-. h-. |
+  a c' g h |
+  f a e g |%70
+  c, e f f |
+  f(\> e d cis) |
+  d4\! r |
+  R2 |
+  <d f a>4^\pizz r | %75
+  R2 |
+  <f a f'>4 r |
+  <f a f'>4 r |
+  <f a f'>4 r |
+  <f c'>4 e | %80
+  \tupletSpan 4
+  <f a> \times 2/3 { r8 c'(\>^\arco b) } |
+  \times 2/3 { a([ g f]\!  e g f) } | %Partitur Dynamik
+  \times 2/3 { e(\! d c) } f4~ |
+  f c'~ |
+  c r | %85
+  \times 2/3 { f,8[ f f]  as as as } |
+  \times 2/3 { f4.:8 as: } |
+  \omit TupletNumber
+  \times 2/3 { c,: as': } |
+  \times 2/3 { as: des: } |
+  \times 2/3 { des,:\< f: } | %90
+  \times 2/3 { <a! f'>:\f <a f'>: } |
+  \undo\omit TupletNumber
+  <e c'>2\dim |
+  <f c'>4 \times 2/3 { r8 c'(\> b) } |
+  \times 2/3 { a([ g f]\!  e g f) } |
+  \omit TupletNumber
+  \times 2/3 { e( d c) } f4~ | %95
+  f c'~ |
+  c r |
+  \mark\default %Dmark
+  a8( f c a') |
+  a(\< f d a') |
+  d(\f gis, f d') | %100
+  c( e,) e( c') |
+  <e, c'>4-.\sf r |
+  r8 g,( c e) |
+  <g, f'>2 |
+  r4 g' | %105
+  c8( g e c') |
+  \times 2/3 { <c, e>4.:8\p\< <c e>: } |
+  \noBreak
+  e'8(\f c e, e') |
+  \undo\omit TupletNumber
+  \times 2/3 { c,[\< d e]   f g a } |
+  c8[\ff r16 e] e4~ | %110
+  e2~ |
+  e4 e,~-> |
+  e8 d-. c-. h-. |
+  \mark\default %Emark
+  a4 r |
+  R2 | %115
+  \break
+  r4 r8 f'-.\mf |
+  \noBreak
+  e-. d-. c-. h-. |
+  a c' g h |
+  f a e g |
+  \tupletSpan 8
+  \times 2/3 { d8.:16\f\< f: a: d: } | %120
+  \noBreak
+  \omit TupletNumber
+  \times 2/3 { f:\> d: a: f: } |
+  d8-.\! f-. c-. e-. |
+  b d a c |
+  f a, b d |
+  f e f d | %125
+  b d f a |
+  b4-. <d, b'>-. |
+  <d d'>8(\ff h'! gis) gis'~( | %Partitur Dynamik
+  gis d h) h'~( | %130
+  h gis d) h'~( |
+  h gis d) h'~ |
+  \mark\default %Fmark
+  \key a \major
+  \time 4/4
+  \tempo "L'istesso tempo"
+  \section
+  \undo\omit TupletNumber
+  \tupletSpan 4
+  h4 r r2 |
+  r4 a,2(\p gis4) |
+  cis8( a e dis   fis e cis a) | %135
+  gis( h d dis   e fis \times 2/3 { gis8 fis e) } |
+  e( dis fis e   gis e \times 2/3 { a8 h cis) } |
+  e8( dis d cis   d h gis d) |
+  cis( e cis' h   a gis \times 2/3 { a8 fis e) } |
+  dis( fis dis' cis   h a \times 2/3 { gis8 a fis) } | %140
+  e8(\< gis h e   gis dis e h) |
+  gis8(\! cis h gis   h\p ais a fis) |
+  e4 r8 h \times 2/3 { h8\< cis dis   e fis gis } |
+  \omit TupletNumber
+  h4\! r8 e,\f \times 2/3 { e8\< fis gis   a h c } |
+  \mark\default %Gmark
+  \globalVI
+  \section
+  e4\! r | %145
+  r8. e16\ff e4~ | %Partitur Dynamik
+  e e,~-> |
+  e8 d-. c-. h-. |
+  a4 r |
+  R2 | %150
+  \break
+  r4 r8 f'-.\mf | %Partitur Dynamik
+  e-. d-. c-. h-. |
+  a c' g h |
+  f a e g |
+  \undo\omit TupletNumber
+  \times 2/3 { d8.:16\f\< f: a: d: } | %155
+  \omit TupletNumber
+  \times 2/3 { f:\> d: a: f: } |
+  d8-.\! f-. c-. e-. |
+  b d a c |
+  c( a b d) |
+  f(\< d f b) | %160
+  b(\f des, f b |
+  des a! c b) |
+  as( c,\dim f as |
+  c g b as) |
+  r c,( f as |
+  c g b as) |
+  g4 r8 g |
+  \undo\omit TupletNumber
+  \tupletSpan 4
+  \times 2/3 { <h, g'>4.:8\< \omit TupletNumber <a fis'>: } |
+  <h g'>4.\! g'8 |
+  \undo\omit TupletNumber
+  \tupletSpan 4
+  \times 2/3 { g8[-. a-. h]-. \omit TupletNumber c-. d-. es-. } |
+  g8-> h,-> d-> g,-> |
+  R2 |
+  \mark\default %Hmark
+  R2 |
+  d4(\pp c |
+  h2)~ |
+  h4 h |
+  c-. as-. |
+  g-. as-. |
+  g( c8)[ r16 es]-. |
+  g4-. c,-. |
+  c2(\p |
+  es4.-> des8) |
+  c2( |
+  ges'4.-> es8) |
+  fes4( des |
+  fes4.-> es8) |
+  as,4( des8)[ r16 fes] |
+  as2\< |
+  \undo\omit TupletNumber
+  \times 2/3 { r8\! cis,([\f his]   cis dis e)} |
+  \omit TupletNumber\omit TupletBracket
+  \times 2/3 { r8 cis([ his]   cis dis e)} |
+  \undo\omit TupletNumber
+  dis2~\sf |
+  \times 2/3 { dis8 <h dis> <h dis> <h dis>4.:8 } |
+  <h e>2~ |
+  <h e>~ |
+  <h e>8 r <h' e>4:32\p\< |
+  <h e>: <h e>: |
+  <h e>8-.\ff r r4 |
+  R2*3 |
+  %\pageBreak
+  \mark\default %Imark
+  <c, a'>4^\pizz %Partitur Notenlänge und Staccato
+  %^\markup{ "(" \override #'(expand-limit . 2) \multi-measure-rest-by-number #3 ")" }
+  r |
+  <g g'> r |
+  <e' c'> r |
+  <e h'> r |
+  <e e'>\sf r |
+  <e d'> <e c'> |
+  <e h'> r |
+  <e h'> r |
+  <b e> r |
+  <e c'> r |
+  <e c'> r |
+  <e cis'> r |
+  <e cis'> r |
+  <g e'>\sf r8 <fis d'> |
+  <e cis'>4 r |
+  << { cis'4(^\arco c) } \\ { e,2 } \\ { s4\< s8 s16 s\! } >> |
+  \mark\default %Jmark
+  \tempo "L'istesso tempo"
+  \bar "||"
+  \key a \major
+  \time 4/4
+  <h' gis'>8(\f dis fis e)~   e( ais, cis h)~ |
+  h8( eis, gis fis)   e( cis dis8. e16) |
+  e4 r8 e( \times 2/3 { dis\< e gis   h e fis) } |
+  gis8(\! e h gis) \times 2/3 { h(\< dis e   gis cis h) } |
+  \omit TupletNumber
+  h8(\! gis eis h) \times 2/3 { eis( gis h   h, cis d!) } |
+  \rit
+  d8(\startTextSpan ais\dim h cis   d) e-- fis-- gis--\stopTextSpan |
+  \mark\default %Kmark
+  \undo\omit TupletNumber
+  \tempo "poco meno mosso"
+  a4\pp^\dolce e,8( dis   fis e cis a) |
+  gis( h d dis    e eis \times 2/3 { gis fis e) } |
+  e( dis fis e    gis e\< \times 2/3 { a h cis) } |
+  e(\> dis d cis\!   d h gis d!) |
+  cis( d \times 2/3 {  e fis g) }   g( a h cis) |
+  cis( e d gis,!   h a fis d) |
+  g!( fis g e   cis a4.)~ | |
+  a2 r |
+  r4 <fis' d'>2.\sf |
+  r4 <fis dis'>2.\sf |
+  <cis' e>4\ff a2 a4~^^ |
+  a gis2\dim^^ fis4~^^ |
+  fis\p e2 dis4~ | %Partitur Dynamik
+  dis\startTextSpan d2 <d e>4\stopTextSpan | 
+  \break
+  \tempo "Animato"
+  \undo\omit TupletNumber
+  a'8( e cis' e) \times 2/3 { e\< fis gis   a h cis } |
+  e8(\f cis a e) \times 2/3 { a, h cis   cis e a } |
+  <cis, a'>4 r8. <cis e>16 <cis e>4 <cis e> |
+  a, r8. <cis' e>16 <cis e>4 <cis e> |
+  a,1\fermata |
+  \bar "|."
+  \pageBreak
+}
+
+globalVII = {
+  \tempo "Adagio non troppo"
+  \time 3/4
+  \key d \major
+  %\partial 2
+  \global
+}
+
+violinII_VII = \relative c'' {
+  \globalVII
+  R2.*3 |
+  r4 r8 d,8~(\p d16 cis h cis) |
+  a4 r r | %5
+  R2. |
+  \mark\default %Amark
+  a8[\p r h] r r h |
+  cis8[ r d] r r a-. |
+  a4( fis')-.\mf e8.( cis16) | %Laut Partitur \mf auf 2
+  d4( fis4.) fis8\p | %10
+  e4 r r |
+  <cis e>4\p r r |
+  r r8 e-.\< e([ gis]) |
+  <e a>4--\! gis-- a-- |
+  <e ais>8.( <d h'>16) <d h'>4 c'16(\< d e fis) | %15 %Partitur Bindung
+  r8\! g16(\f fis) r8 fis16( e) r8\dim e16( d) |
+  r8 d16( cis) r8 cis16( h) h( a) a( g) |
+  fis(\p d fis a)   r d,( fis h)   r fis( a cis) |
+  e8( g, fis4) g8( e) | %20
+  d4 << { a'2 } \\ { fis4\< e | \oneVoice
+                     <dis a'>2\sf fis4\p | } >> %Partitur Tonhöhe
+  \mark\default %Bmark
+  h,( e h) |
+  d( c\< cis) |
+  d4(\mf g,) r | %25
+  e'2. |
+  <g a>4 r <g a> |
+  \override DynamicLineSpanner.staff-padding = #5.5
+  <f a> a,(\< d) |
+  f\f b,2\> |
+  g8(-. c-.\p c-.    c-. c-. c-.) | %Partitur Dynamik
+  \revert DynamicLineSpanner.staff-padding
+  <c f>(-. <c f>)-. r4 c | %30
+  c4.( g'8) g( f16 e) |
+  d8(-. d-. d-.\pp    d-. d-. d-.) |
+  d( h4) h8(-. h[-. d])-. |
+  d4.( a'8) a(\< g16 fis) | %35
+  e8(-.\! e-. e-.    e-. e-. e)-. |
+  e[-.\mf e-. r    cis\p r e]( |
+  f)[ f r    f r e]\mf |
+  e[ cis' r    e,\p r e] |
+  d[( d') r\<    <d, d'> r <d d'>] | %40
+  c'(\f c,) e'( e,) d'( d,) |
+  f f4(\> a c8) |
+  d(\mf d,4 b'8)\< b( d) |
+  \times 2/3 { d8--\! c-- d-- } c( c,) b( b') | %Partitur kein cis
+  \times 2/3 { b8( a b) } a4-- g-- | %45
+  <a, e'> a(\p b) |
+  d( cis\< d) | %Partitur Dynamik
+  f(\! e f) |
+  \rit
+  <es b'>2.\ff\startTextSpan |
+  cis2\pp r4\stopTextSpan | %50
+  \mark\default %Cmark
+  a8[^\aTempo r h] r r h |
+  cis8[ r d] r r a-. |
+  a(\< d fis4) e8.(\! cis16) |
+  d4( fis4.) fis8\p |
+  e4 r r | %55
+  <cis e>4-. r r |
+  r r r8 <d h'>-. |
+  cis4( d cis) |
+  h8( cis a4.)\< e'8 |
+  g4(-.\f fis-. e)-. | %60
+  d8( e cis4) <cis e>\p |
+  <c d>8[ r <c d> r <c d>] r |
+  <h d>4(\mf g) r8 g'\p |
+  g4(\< h2)\> |
+  R2.\! | %65
+  h,4(\p b2)~\< | %Partitur Dynamik
+  b4 b(\> \after 4\! a) | %Partitur Dynamik
+  \tempo "Piu animato"
+  << { b'4_\marc a } \\ { d,2 } >> gis4 |
+  g! fis f | %70
+  fis! fis <d d'>8.\f <d d'>16 |
+  <d d'>2 <fis a>4-. |
+  <e h'>2 a8( g) |
+  <fis a>4-- <e a>-- r8\fermata <cis e>-. |
+  \mark\default
+  <a d>4. r8 r4 | %75
+  R2.*2 |
+  r4 r8 d8~(\p d16 cis h cis) |
+  a4 r r |
+  R2. | %80
+  r4 fis'(\pp g)~ |
+  g( fis e) |
+  fis2.~ |
+  fis\fermata |
+  \bar "|."
+}
+
+globalVIII = {
+  \time 4/4
+  \key des \major
+  %\partial 2
+  \global
+}
+
+violinII_VIII = \relative c'' {
+  \globalVIII
+  \tempo "Moderato"
+  R1*4 |
+  f,4.\pp^\ten r8 ges4. r8 | %5
+  f4. r8 es4. r8 |
+  des4. r8 des4. r8 |
+  des4. r8 r2 |
+  \mark\default %Amark
+  R1*3 |
+  \break
+  r2 r4 ges\pp |
+  f4. r8 ges4. r8 |
+  f4. r8 ges4. r8 |
+  f4. r8 es4. r8 | %15
+  des4. r8 des4. r8 |
+  des4. r8 r2 |
+  \break
+  r4 d(\p es b) |
+  as4. r8 as4. r8 |
+  as4. r8 r2 | %20
+  R1*2 |
+  r2 f'8^\pizz r r4 |
+  r c8 r es r r4 | %Partitur Tonhöhe
+  R1*2 | %26
+  f4\pp^\arco r as r |
+  r2 a\sfp |
+  b4( des8 a) a2\sfp |
+  des,4:64\pp des8 r des4: des8 r | %30
+  des4:64\cresc des8 r a'4: g8 r |
+  \mark\default %Bmark
+  \key d \major
+  \bar "||"
+  <fis a>4:64\f <fis a>8 r <d h'>4: <d h'>8 r |
+  \tempo "Maestoso"
+  <fis d'>2. fis'8. a16 |
+  d4 <d,, a' fis'>-. <d h' g'>-. <d h' g'>-. |
+  <d a' fis'>-. <d a' fis'>-. <d h' g'>-. <d h' g'>-. | %35
+  <d a' fis'>-. r fis'2(\pp |
+  g) g |
+  fis( a) |
+  d,( g) |
+  fis4. r8 fis2( | %40
+  a fis) |
+  e( cis4 d8 cis) |
+  a2( h) |
+  <h d>:\sfpp <h d>8 r fis4(~ |
+  fis2. ais4) | %45
+  \tempo "poco animato"
+  gis( eis gis eis) |
+  \tag #'percent { \repeat percent 3 { a( fis a fis) | }}
+  \tag #'unfold { \repeat unfold 3 { a( fis a fis) | }}
+  g(\pp e g e) | %50
+  d2(\< f4\> d)~ |
+  d\! cis8 d <g, e'>2 |
+  \rit
+  r4\startTextSpan g'(-. fis-. e)-.\stopTextSpan |
+  \mark\default %Cmark
+  \tempo "Tempo I"
+  d( a e' g) | %Partitur Tonhöhe
+  fis( a, cis h) | %55
+  \override DynamicLineSpanner.staff-padding = #3.5
+  a4(\< fis'2 d'4)~ | %Partitur Dynamik
+  d(\! cis8\> h b4 a8 g) |
+  fis4.\pp r8 g4. r8 |
+  \revert DynamicLineSpanner.staff-padding
+  fis4. r8 e4. r8 |
+  d4. r8 d4. r8 | %60
+  d4. r8 r2 |
+  d4.\p r8 r2 | %Partitur Dynamik
+  r8 <h d>(-.[ r <h d>-. r d-. r dis-.]) |
+  e4-- r d!-- r |
+  r8 fis(-.[ r fis-. r fis-. r fis-.]) | %65
+  e4 r c r |
+  r8 d(-.[ r d-. r fis-. r fis-.]) |
+  g1\pp |
+  fis8[ fis r fis](-. r a[-. r a])-. |
+  a1\< | %70
+  gis8[->\! gis\pp r gis]-. r gis[-. r gis]-. |
+  fis2. r4 |
+  \mark\default %Dmark
+  \globalVIII
+  \bar "||"
+  ges8[->\pp ges r ges] r ges[ r ges] |
+  f8[ f r f] r f[\< r f] | %Partitur Dynamik
+  ges8[\! ges r ges]( f)[ f r f]( | %75
+  \noBreak
+  ges8)[\>\startTextSpan ges r ges] r\! ges([-. r ges])-.\stopTextSpan |
+  \tempo "Meno mosso"
+  f4.\pp r8 ges4. r8 | %Partitur Dynamik
+  f4. r8 es4 r8 es |
+  des4. r8 <des b'>4. r8 |
+  <des b'>4. r8 r2 | %80
+  \moltoRit
+  r2\fermata des2\pp\startTextSpan |
+  c1\stopTextSpan |
+  \mark\default
+  des4(^\aTempo as des ges) |
+  f4( as, c b) |
+  as f'2\< des'4(~ | %85
+  des\f c8\> b heses4 as8 ges) |
+  f4-.\! <f des'>2.\mf |
+  <ges des'>4(\< c des ges) |
+  f-.\! as,2(\ff a4) | %Partitur Dynamik
+  b( des ges4..) f16 | %90
+  f2 des4.( des'8) |
+  des2 des,4.( des'8) |
+  des4-. r r2 |
+  r2 des,,8^\pizz r r4 |
+  des8 r r4 r2\fermata |
+  \bar "|."
+  \pageBreak
+}
+
+globalIX = {
+  \tempo "Moderato"
+  \time 4/4
+  \key a \major
+  %\partial 2
+  \global
+  \tupletSpan 8
+}
+
+violinII_IX = \relative c'' {
+  \globalIX
+  R1 |
+  r2 a,(\pp |
+  a) b( |
+  a h! |
+  e) e(\cresc | %5
+  dis d) |
+  cis8\f \times 2/3 { a'16 a a   cis cis \set stemRightBeamCount = #1 cis %~
+                      \set stemLeftBeamCount = #1 e e e %~
+                      fis8.:16 gis: a: h: } | \omit TupletNumber %Partitur Dynamik Tonlänge
+  \times 2/3 { e:16 a,,: cis: e:   fis: gis: a: h: } |
+  e4 \times 2/3 { fis,,8.:16 gis:   a: cis: e: a: } |
+  \times 2/3 { gis:16 e,: fis: gis:   a: cis: e: a: } | %10
+  <h, gis'>2 r8 h,16( cis   d e fis gis) |
+  a8-. e16([ fis]  gis a h cis) r8 a16( h  cis d e fis) |
+  r8 h,,16([ cis]  d e fis gis) r8 dis16( e  fis gis a h) |
+  r8 e,16([ fis]  gis a h cis) r8 a16( h  cis d e fis) | %15
+  r8 h,,16([ cis]  d e fis gis) r8 dis16( e  fis gis a h) |
+  r8 e,16([ fis]  gis a h cis) r8 a,16( h  cis d! e fis) |
+  gis2. r4 |
+  \mark\default %Amark
+  R1 |
+  \break
+  r2 r4 r8 gis,\p | %20 %Partitur Tonlänge
+  a2 <a dis> |
+  d!2. r4 |
+  d4(\< cis8 h ais4.) cis'8 |
+  fis,2(\! e4.) e8\p |
+  fis4( h, fis' e) | %25
+  \mark\default %Bmark
+  r2 r4 r8 cis |
+  d4( cis h) r |
+  <a e'>2 <a dis> |
+  d!2. r4 |
+  d4(\< cis8 h ais4.) cis'8\f | %30
+  fis,( d' cis h) e,4.\p e8 |
+  fis4( h, fis' e) |
+  e2(\pp d)~ | %Partitur Dynamik
+  d cis |
+  <cis e>4\< r <cis e>4 r | %35
+  e8(\f gis cis e fis4-.) r8 his, | %Partitur 4+ staccato
+  cis4-. <e, cis'>-. r <e cis'>-. |
+  r <e cis'>-. r r8 cis16 dis |
+  e1\sf |
+  \mark\default %Cmark
+  \tempo "Poco piu allegro"
+  R1*5 |
+  r4 d'\f cis h | %45
+  a^\marc e dis d |
+  cis eis fis a |
+  h, cis8 dis  e! fis gis4 |
+  a cis( gis a) | %Partitur Bindung
+  e cis8 d e2~ | %50
+  e4. cis8 d( h'4) a8 |
+  gis fis e d  cis( a'4) g8 |
+  fis4 d a' gis! |
+  a ais h8 a gis fis |
+  eis4 cis'8 h a h c4 | %55
+  fis,4 a gis h8 a |
+  gis4 e dis8 e fis gis |
+  e4 h'\ff cis h |
+  a a a8 h a4 |
+  gis a gis h8 a | %60
+  gis2 fis |
+  << { e'2. } \\ { h4 cis h } >> cis8 h |
+  ais h cis ais  e fis g4 |
+  fis4. d'8 fis4 dis8 cis |
+  his cis dis his   gis a fis gis | %65
+  \mark\default %Dmark
+  e4 gis'8 e cis4. e8 | %Partitur Tonhöhe
+  <a, a'>8( gis' fis e) dis4. <a a'>8\p |
+  <a a'>4\< <a a'> <c e>2~\f |
+  <c e>4 << { s2. |
+              \section
+              \time 3/2
+              <h gis'!> } \\ { <c e>4\< <c e> <c e> | e,4\f } >>
+  e'4-> h-> gis-> | %70
+  <fis dis'>2-- <gis e'>-- a4 h8 a |
+  \section
+  \mark\default % Emark
+  \time 4/4
+  gis4-. r r2 |
+  r4 h,\mf-- ais-- a-- |
+  gis his cis e~ |
+  e\< d8 cis fis4 d'\f | %75
+  cis d cis <d, c'> |
+  <d h'>( a'8 g) fis( e fis4) | %Partitur Dynamik
+  g h, a h8 a |
+  gis!4 gis'!(\p a h) |
+  c\cresc g a2 | %80
+  b4 a\f g a8 h | %Partitur Vorzeichen
+  c4 g8 gis a4 a~^^ |
+  a d, h h' |
+  r f(\f e d) |
+  c2( a'4) f'(\sf | %85
+  e) <a, a'> gis'!-- fis!-- |
+  e,2\mf f\cresc |
+  fis!4 g gis-. <h e>\ff |
+  <a a'> gis'8 fis e fis d4 |
+  <cis e> h8 a gis4 e | %90
+  a4 gis8 fis e fis d4 |
+  cis a' h8 cis a4 |
+  \mark\default %Fmark
+  e' r r2 |
+  R1 |
+  r4 r8 a,\mf gis4(-. g)-. | %Partitur staccato
+  fis\< ais h d | %95
+  e,\f fis8 gis a! h cis4 |
+  <d, d'> r r <d d'>-. |
+  <a' e'>-. <d, d'>-. <e cis'>-. <d d'>8 <d d'> |
+  <a' e'> <a e'> <d, d'> <d d'> <e cis'>4 <d d'>-. |
+  <a' e'>-. <d, d'>-. <e cis'>-. <e cis'> | %100
+  \mark\default %Gmark
+  <a a'>4( <b b'>2) <b b'>4 |
+  <a a'>2. <a a'>4 |
+  \tupletSpan 4
+  \undo\omit TupletNumber
+  \times 2/3 { e'8 dis fis   e cis a \omit TupletNumber   e dis fis   e a cis } |
+  \times 2/3 { cis8\< a h   cis e gis   a, e gis   a cis d! } | %Partitur Dynamik
+  gis,2\!^^ a^^ | %105
+  h^^ <h gis'>^^ |
+  <cis a'>8-. e,16 fis   gis a h cis    h( a) e a   h cis d e |
+  d( cis) a cis    e gis a cis    h( a) e cis   e a, cis e |
+  \rit
+  a1~\startTextSpan |
+  a~ |
+  a\fermata\stopTextSpan |
+  \bar "|."
+}
+
+\book {
+  \score {
+    \header { piece = "I. Erwartung" }
+    \new Staff \with {
+      midiInstrument = "violin"
+      \consists Merge_rests_engraver
+      \consists Measure_counter_engraver
+    }
+    \keepWithTag #'unfold
+    \keepWithTag #'instrument
+    \violinII_I
+    \layout { }
+  }
+  \score {
+    \header { piece = "II. Die Hirten" }
+    \new Staff \with {
+      midiInstrument = "violin"
+      \consists Merge_rests_engraver
+      \consists Measure_counter_engraver
+    }
+    \keepWithTag #'unfold
+    \keepWithTag #'instrument
+    \violinII_II
+    \layout { }
+  }
+  \score {
+    \header { piece = "III. Erscheinung des Engels" }
+    \new Staff \with {
+      midiInstrument = "violin"
+      \consists Merge_rests_engraver
+      \consists Measure_counter_engraver
+    }
+    \keepWithTag #'unfold
+    \keepWithTag #'instrument
+    \violinII_III
+    \layout { }
+  }
+  \score {
+    \header { piece = "IV. Bethlehem" }
+    \new Staff \with {
+      midiInstrument = "violin"
+      \consists Merge_rests_engraver
+      \consists Measure_counter_engraver
+    }
+    \keepWithTag #'unfold
+    \keepWithTag #'instrument
+    \keepWithTag #'stichnoten
+    \violinII_IV
+    \layout { }
+  }
+  \score {
+    \header { piece = "V. Die Hirten an der Krippe" }
+    \new Staff \with {
+      midiInstrument = "violin"
+      \consists Merge_rests_engraver
+      \consists Measure_counter_engraver
+    }
+    \keepWithTag #'unfold
+    \keepWithTag #'instrument
+    \violinII_V
+    \layout { }
+  }
+  \score {
+    \header { piece = "VI. Der Stern" }
+    \new Staff \with {
+      midiInstrument = "violin"
+      \consists Merge_rests_engraver
+      \consists Measure_counter_engraver
+    }
+    \keepWithTag #'unfold
+    \keepWithTag #'instrument
+    \violinII_VI
+    \layout { }
+  }
+  \score {
+    \header { piece = "VII. Anbetung der Weisen" }
+    \new Staff \with {
+      midiInstrument = "violin"
+      \consists Merge_rests_engraver
+      \consists Measure_counter_engraver
+    }
+    \keepWithTag #'unfold
+    \keepWithTag #'instrument
+    \violinII_VII
+    \layout { }
+  }
+  \score {
+    \header { piece = "VIII. Maria" }
+    \new Staff \with {
+      midiInstrument = "violin"
+      \consists Merge_rests_engraver
+      \consists Measure_counter_engraver
+    }
+    \keepWithTag #'unfold
+    \keepWithTag #'instrument
+    \violinII_VIII
+    \layout { }
+  }
+  \score {
+    \header { piece = "IX. Erfüllung" }
+    \new Staff \with {
+      midiInstrument = "violin"
+      \consists Merge_rests_engraver
+      \consists Measure_counter_engraver
+    }
+    \keepWithTag #'unfold
+    \keepWithTag #'instrument
+    \violinII_IX
+    \layout { }
+  }
+  \score {
+    \new Staff \with {
+      midiInstrument = "violin"
+      \consists Merge_rests_engraver
+    } { \tempo 4 = 66
+        \keepWithTag #'unfold
+        \keepWithTag #'original
+        \keepWithTag #'conductor
+        \unfoldRepeats
+        \violinII_I
+        \tempo 8 = 104
+        \keepWithTag #'unfold
+        \keepWithTag #'original
+        \keepWithTag #'conductor
+        \unfoldRepeats
+        \violinII_II
+        \tempo 4 = 69
+        \keepWithTag #'unfold
+        \keepWithTag #'original
+        \keepWithTag #'conductor
+        \unfoldRepeats
+        \violinII_III
+        \violinII_IV
+        \tempo 4 = 72
+        \keepWithTag #'unfold
+        \keepWithTag #'original
+        \keepWithTag #'conductor
+        \unfoldRepeats
+        \violinII_V
+        \tempo 4 = 104
+        \keepWithTag #'unfold
+        \keepWithTag #'original
+        \keepWithTag #'conductor
+        \unfoldRepeats
+        \violinII_VI
+        \tempo 4 = 60
+        \keepWithTag #'unfold
+        \keepWithTag #'original
+        \keepWithTag #'conductor
+        \unfoldRepeats
+        \violinII_VII
+        \tempo 4 = 72
+        \keepWithTag #'unfold
+        \keepWithTag #'original
+        \keepWithTag #'conductor
+        \unfoldRepeats
+        \violinII_VIII
+        \tempo 4 = 88
+        \keepWithTag #'unfold
+        \keepWithTag #'original
+        \keepWithTag #'conductor
+        \unfoldRepeats
+        \violinII_IX
+    }
+    \midi { \tempo 4 = 120 }
+  }
+}
\ No newline at end of file
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