%SPDX-License-Identifier: MIT
\version "2.24.4"
\language "deutsch"

copyright = \markup { "©Berrit Birkner 2025, This work is openly licensed via CC BY 4.0" }

\header {
  title = "Der Stern von Bethlehem"
  instrument = "Violine II"
  composer = "Josef Rheinberger"
  % LilyPond-Standard-Tagline entfernen
  tagline = ##f
  copyright = \copyright
}

ffp = #(make-dynamic-script "ffp")
fpp = #(make-dynamic-script "fpp")
sfpp = #(make-dynamic-script "sfpp")
%% fix sempre p alignment
psem =
#(make-dynamic-script
  (markup #:hspace 0
          #:translate '(-1.85 . 0)
          #:line (#:dynamic "p"
                            #:normal-text "sempre")))
ppppsem =
#(make-dynamic-script
  (markup #:hspace 0
          #:translate '(-1.85 . 0)
          #:line (#:dynamic "pppp"
                            #:normal-text "sempre")))

dynamicVoice = { \override Voice.Rest.stencil = ##f }

get = \markup{\right-align "get."}
pocoCresc = { \once\set crescendoText = \markup{\italic { "poco cresc." } } }
sempreCresc = { \once\set crescendoText = \markup{\italic { "sempre cresc." } } }
moltoRit = { \override TextSpanner.bound-details.left.text = \markup { \upright "molto rit." } }
rit = { \override TextSpanner.bound-details.left.text = \markup { \upright "rit." } }
sulG = \markup { "G-Saite" }
conSord = \markup { \italic {"con sordino"} }
senSord = \markup { \italic {"senza sordino"} }
% pizz = #(define-music-function () ()
%   #{
%     % Show the playing instruction
%     ^\markup { "pizz." }
%     % Change the MIDI playback instrument
%     \set Staff.midiInstrument = #"pizzicato strings"
%   #})
% arco = #(define-music-function () ()
%   #{
%     ^\markup {"arco" }
%     \set Staff.midiInstrument = #"violin"
%   #})
pizz = \markup { \italic { "pizz." } }
arco = \markup { \italic { "arco" } }
aTempo = \markup { "a tempo" }
dolce = \markup { "dolce" }
marc = \markup { "marc." }
ten = \markup { "ten." }

%pausenHinweis = \markup

\paper {
  #(set-paper-size "a4")
  ragged-last-bottom = #f
  first-page-number = #2
  print-first-page-number = ##t
  scoreTitleMarkup = \markup {
    \fill-line {
      \fontsize #3 \bold \fromproperty #'header:piece
      \fromproperty #'header:opus
    }
  }
}

\layout {
  \context {
    \Voice
    \consists "Melody_engraver"
    \override Stem.neutral-direction = #UP
  }
}

global = {
  %\set Score.rehearsalMarkFormatter = #format-mark-box-numbers
  \compressEmptyMeasures
  \override Hairpin.minimum-length = 4
  \override MultiMeasureRestNumber.direction = #DOWN
  \set Score.rehearsalMarkFormatter = #format-mark-alphabet
  \override DynamicTextSpanner.style = #'none
  \tagGroup #'(unfold percent)
  \tagGroup #'(original stichnoten)
  \tagGroup #'(instrument conductor)
}

globalI= {
  \key a \major
  \time 4/4
  \tempo "Molto moderato"
  \global
}

violinII_I = \relative c'' {
  \globalI
  % Die Noten folgen hier.
  R1 |
  r2^\conSord a,~\pp |
  a1~ |
  a2 r |
  r r8 e''(\p d[ e]) | %5
  cis( a fis gis h a h cis) |
  e( d a h cis4 gis8 a) |
  gis( e gis a gis2) |
  a2.( e4) |
  fis4.( e8 d4 e) | %10
  d4 d(\< fis h) |
  <e, h'>2\f r8 h16( cis  d e fis gis) |
  a8-. e16([ fis]  gis a h cis) r8 a16( h  cis d e fis) |
  r8 h,,16( cis  d e fis gis) r8 dis16( e  fis gis a h) |
  r8 e,16( fis  gis a h cis) r8 a16( h  cis d e fis) | %15
  r8 h,,16( cis  d e fis gis) r8 dis16( e  fis gis a h) |
  r8 e,16( fis  gis a h cis) r8 a,16(\p h  cis d e fis) |
  gis2. r4 |
  \mark\default
  r1 |
  r2^\senSord r4 r8 gis,\p | %20
  a2 <a dis> |
  d!2. r4 |
  d4( cis8\< h ais4.) cis'8 |
  fis,2\! e4.\p e8 |
  fis4( h, fis' e) | %25
  \break
  r2 r4 r8 cis\p |
  d4( cis h) r4 |
  <a e'>2\p <a dis> |
  d!2. r4 |
  d4( cis8 h ais4.) cis'8\f | %30
  fis,8( d' cis h) e,4.\p e8 |
  fis4( h, fis' e) |
  \mark\default
  r2 <h gis'>8^\pizz r r4 |
  <cis e a>8 r8 r4 a4.(^\arco a'8) |
  gis8-. r r4 r8 h,16( cis  d e fis gis) | %35
  r8 e16( fis  gis a h cis) dis16( fis e dis  e cis a e) |
  e2~\p e8 h'(\< a gis) |
  <fis a>2.\sf r8 fis\p |
  gis4( h,)~ h8\< cis( dis e) |
  fis2.\sf r8 fis\p | %40
  gis4 r <a, e'>2 |
  a'( gis) |
  r8 d4. r8 d4.\< | %Partitur
  dis8(\f\< gis h dis) <cis e>4-.\sf r4 |
  \tag #'percent { \repeat percent 2 { dis,4.\fp dis8 dis4. dis8 | }} %45
  \tag #'unfold { dis4.\fp dis8 dis4. dis8 | %45
                  dis4. dis8 dis4. dis8 | }
  \mark\default
  \repeat tremolo 4 { e16(\sf\> fis) } \repeat tremolo 4 { e16(\p fis) } |
  gis4 r h,4.( fis'8) |
  fis4( eis) cis(\< e8\> d) |
  \time 3/2
  cis4(\! a'2 g4) g2 | %50 %Partitur
  r4 
  <<
    {
      <fis a>2\< <e a>4 <dis c'>2 | %Partitur
      e'2\ff e <d, d'> | %Partitur
    }
    \\
    {
      s4*5 |\small <e c'>4 s <e c'>
    }
  >>
  <a f'>1 <c e>4 c~->( |
  \time 4/4
  \noBreak
  c\mf h8 c) a4( e)~ |
  \noBreak
  e( d8 e c4) f'4~(\sf | %55
  \noBreak
  f e8 d) cis![( d) r d,] |
  \repeat tremolo 4 { d16( e) } \repeat tremolo 4 { d16( e) } |
  %\pageBreak\partial 1. s2\bar "|" \pageBreak
  \mark\default
  \repeat tremolo 4 { fis16(\pp d) } \repeat tremolo 4 { e16( cis) } |
  e16( d e d  e16 cis e cis) \repeat tremolo 4 { e16( h) } |
  <<
    { e8( a cis e) fis,8( a dis\< fis) | \oneVoice gis4--\! } %Partitur
    \\
    { cis,,8( e a cis) dis,8( fis a dis!) | }
  >> %60
  a'4-- h-- r8 h,\f |
  h( d, cis' d) e( cis e fis) |
  e( d cis h) e,4.\p e8 | %Partitur
  fis4( h, fis' e) |
  << { \oneVoice
  \tag #'percent {
    \repeat percent 2 { e16( cis) cis( e) } \repeat percent 2 { fis16( d) d( fis) } | %65
    \repeat percent 2 { fis16( d) d( fis) } \repeat percent 2 { gis16( eis) eis( gis) } |
    \repeat percent 4 { a16( fis) fis( a) } |
    \repeat percent 2 { a16( d,) d( a') } \repeat percent 2 { b16( f) f( b) } |
    \repeat percent 2 { b16( f) f( b) } b16( g) g( b) a16( f) f( a) |
  }
  \tag #'unfold {
    e16( cis) cis( e) e16( cis) cis( e)  \repeat unfold 2 { fis16( d) d( fis) } | %65
    \repeat unfold 2 { fis16( d) d( fis) } \repeat unfold 2 { gis16( eis) eis( gis) } |
    \repeat unfold 4 { a16( fis) fis( a) } |
    \repeat unfold 2 { a16( d,) d( a') } \repeat unfold 2 { b16( f) f( b) } |
    \repeat unfold 2 { b16( f) f( b) } b16( g) g( b) a16( f) f( a) |
  }
     }\\ \new Dynamics { s1\pp | s2 s2\< | s1\! | s2\< s\f | } %Partitur
  >>
  \time 3/2
  b4( f2) b8(\p f b f b f) |%70
  a f4 a8~ a f4 a8~ a f4 a8~ |
  \noBreak
  a a(\cresc c\! a) r g( b g~ g) g( b g) |
  g( a) a( fis!)~ fis fis4 a8~ a a( c a) |
  \noBreak
  \set Timing.beamExceptions = #'()
  \set Timing.baseMoment = #(ly:make-moment 1/4)
  \set Timing.beatStructure = #'(1 1 1 1 1 1)
  a8[( h) h( gis!)] << { \oneVoice
  \tag #'percent {
    \repeat percent 2 { gis16( h) h( gis) } \repeat percent 2 { a16( h) h( a) } |
    \repeat percent 2 { a16( h) h( a) } gis16([ h) h( gis)] %~
    gis'16( e) e( gis) e16([ h) h( e)] h16( gis) gis( h) | %75
    \repeat percent 6 { e,16( fis) fis( e) } |
  }
  \tag #'unfold {
    \repeat unfold 2 { gis16( h) h( gis) } \repeat unfold 2 { a16( h) h( a) } |
    \repeat unfold 2 { a16( h) h( a) } gis16([ h) h( gis)] %~
    gis'16( e) e( gis) e16([ h) h( e)] h16( gis) gis( h) | %75
    \repeat unfold 6 { e,16( fis) fis( e) } |
  }
  \repeat tremolo 4 { fis16( d) } \repeat tremolo 4 { e16( cis) } \repeat tremolo 4 { e16( cis) } |
  \repeat tremolo 4 { fis16( d) } \repeat tremolo 4 { e16( cis) } \repeat tremolo 4 { e16( cis) } |
                       }\\ \new Dynamics { s1\ff | }
  >>
  \mark\default
  \time 4/4
  d4. r8 <cis e>4. r8 |
  <fis a>4. r8 <e a>4. cis'8 | %80 %Partitur Bindung
  cis4 h2 a4 |
  d, <d h'> d <d a'> |
  d g2 fis4 |
  <d h'>8\ff d16 e   fis g a h  r8  h,16 cis  d e fis g |  %Partitur Dynamik
  r8 a16 h   cis d e fis  r8  a,16 h  cis d e fis | %85
  r8 a,16 h   cis d e fis  r8\mf  a,,16 h  cis d e fis |
  \mark\default
  R1 |
  \tupletSpan 4
  \times 2/3 { r8 h'^\pizz a   fis d h \omit TupletNumber  a fis d \once\omit TupletBracket  h a r } |
  r1 | \undo\omit TupletNumber
  r4 \times 2/3 { a''8 fis d \omit TupletNumber  cis a fis   d cis a } | %90
  r1 |
  \undo \omit TupletNumber
  \times 2/3 { r8^\arco\mf a a \omit TupletNumber   a( a')\< a %~
               \once\omit TupletBracket  r a a   a( a') a } |
  <a, a'>4(\f b'2) d,4 |
  f2( gis4.) f8 |
  \undo\omit TupletNumber
  e2(\dim cis4\! a) | %95
  \times 2/3 { <d, h'>4.:8\p <d h'>: \omit TupletNumber <d h'>2.:\< } |
  \times 2/3 { <d h'>:\fp <d h'>4.: fisis: } |
  \times 2/3 { gis2.:\f h: } |
  \times 2/3 { h4.:   gis,8 a ais   h\< cis d   e fis gis } |
  a8\! e16 fis   gis a h cis   h( a) e a   h cis d e | %100
  d16( cis) a cis   e gis a cis   h( a) e cis   e a, cis e |
  a1~ |
  a~ |
  a\fermata |
  \bar "|."
  \pageBreak
}

globalII = {
  \tempo Allegretto
  \time 3/8
  \key f \major
  \global
}

violinII_II = \relative c'' {
  \globalII
  a8[^\pizz r a] |
  b8[ r b] |
  a8[ r f] |
  f8[ r f] |
  f8[ r a] | %5
  g8[ r g] |
  f8[ r f] |
  g8[ r <f a>] |
  <f b>8[ r b] |
  b8[ r b] | %10
  b8[ r d,] |
  es8[ r es] |
  d8[\mf r b'] |
  g8[ r f] |
  f r r | %15
  c\sf r r |
  c4^\arco-- b8~-- |
  b a4-- |
  e'16(\p\< f a g\> f e) |
  c4--\mf b8~-- | %20
  b a4-- |
  e'16(\p\< f a g\> f e) |
  f8[\! r c]~ |
  c8[ r c]~ |
  c8[ r c]~ | %25
  c8[ r c]~ |
  c8 r r |
  c8-- r r |
  c8-- r r |
  R4. | %30
  \mark\default %A
  R4.*7 |
  r8 c(\< e) |
  es4.\mf |
  d8( f d) | %40
  f4.~ |
  f4 d8(\sfp |
  e!)[ r e]( | %Partitur
  f)[ r f]( |
  f)[ r f]( | %45
  e)[ r <g, e'>]^\pizz |
  <a f'>[ r <a f'>] |
  <g e'>[ r <g e'>] |
  <a f'>[ r <a f'>] |
  <g e'> r r | %50
  \mark\default %B
  R4.*3 | %\pageBreak
  %\mark\markup{ "(" \override #'(expand-limit . 2) \multi-measure-rest-by-number #3 ")" }
  r8 r e'(^\arco\p |  %Partitur Dynamik
  a4.) | %55
  d,8( g f) |
  e8(\< a\> e) |
  f4\! d16( f) |
  f8(-. f-.\< f)-. |
  f8(-. d-. e)-. | %60
  <c f>8(-.\f <c f>-. <c f>)-. |
  \after 8\> <b f'>4. |
  \rit
  b(\pp\startTextSpan |
  \noBreak
  g4 e'8)\stopTextSpan |
  f8[^\aTempo r a,] | %65
  b8[ r f'] |
  f8[ r c] |
  d8[ r d] |
  c4--\mf b8~-- |
  b a4-- | %70
  e'16(\p\< f a g\> f e) |
  c4\mf b8~ |
  b a4-- |
  \break
  e'4 c8~\pp | %Partitur Dynamik
  \mark\default %C
  c4 c8~ | %75
  c4 c8~ |
  c4 c8~ |
  c4 f8~\< |
  \after 8\! f4\! f8 |
  e4(\> f8) | %80
  e4(\! f8) |
  r8 r b \mf |
  a( g f) |
  f( d f) |
  a(\f b c) | %85
  b[ r b]\p |
  e,(-.\< e-. e-.) |
  f4\sfp f8 |
  f4.( |
  e8)[ r <g, e'>]^\pizz | %90
  <a f'>[ r <a f'>] |
  <g e'>[ r <g e'>] |
  <a f'>[ r <a f'>] |
  <g e'> r r |
  \mark\default %D
  R4.*3 |
  \break
  r8 r e'(^\arco\mf |
  a4.) |
  d,8(\p g f) | %100
  e8(\< a\> e) |
  f4\! d16( f) |
  f8(-. f-.\< f)-. | %Partitur
  f8(-. d-. e)-. |
  <c f>8(-.\f <c f>-. <c f>)-. | %105
  <b f'>4.\> |
  \rit
  b(\pp\startTextSpan |
  g4 e'8)\stopTextSpan |
  f8[^\aTempo r a,] |
  b8[ r f'] | %110
  f8[ r c] |
  d8[ r d] |
  c4--\mf b8~-- |
  b a4-- |
  e'16(\p\< f a g\> f e) | %115
  c4\mf-- b8~-- |
  b a4-- |
  e'4 r8 |
  \mark\default %E
  c'4.~\f |
  \noPageBreak
  c16( h b a g f) | %120
  e16( d c b a g) |
  a'16( g f e d c) |
  f4.-> |
  c4.-> |
  c4.-> | %125
  c4 r8 |
  f'4.~\f-> |
  f16( e! es d c b) |
  a16( g f es d c) | %130
  d'16( c b a g f) |
  e!8(\mf g, e') |
  f8( a, f') |
  f8( d f) |
  <c e>4. |
  <a f'>8[\f r <a f'>] | %135
  <g e'>8[ r <g e'>]\p |
  <a f'>8[ r <a f'>] |
  <g e'>4 r8 |
  \mark\default %F
  dis'8^\pizz r r |
  e8 r r | %140
  R4. |
  r8 r e(^\arco\mf | \noBreak
  a4.) |
  d,8(\p g f) |
  e8(\< a\> e) | %145
  f4\! d16( f) |
  f8(-. f-. f)-. |
  f8(-.\< d-. e)-. |
  <c f>8(-.\f <c f>-. <c f>)-. |
  \after 8\> <b f'>4. | %150
  \rit
  b(\pp\startTextSpan |
  g4 e'8)\stopTextSpan |
  f8[^\aTempo r a,] |
  b8[ r f'] |
  f8[ r c] | %155
  d8[ r d] |
  c4--\mf b8~-- |
  \noBreak
  b a4-- |
  e'16(\p\< f a g\> f e) |
  c4\mf-- b8~-- | %160
  b a4-- |
  e'4 a8(\pp |
  \mark\default %G
  g f e) |
  f( c f) |
  <<
    {
      g8(\< a c) | %165
      a4\! 
    } \\ {
      e8( f g) | %165
      c,4
    }
  >>
  f8~\mf |
  f4 f8 |
  <c e>4\> c8( |
  e4)\p c8~ |
  \noBreak
  c16(\< e g b d8)\f | %170
  << { c8( b a) } \\ { es4. } >> |
  <d b'>8( f b) |
  << { c8( d f) } \\ { a,8( b c) } >> |
  <f, d'>4 b8(\fp |
  e,!4) e8(\< | %175
  \after 8\> f4) f8\! | %Partitur
  f8( d f) |
  e(-.\< e-. e-.) |
  <f a>\f <f a> <f a> |
  <e c'>(-. <e c'>-. <e c'>)-. | %180
  <f c'>(-.\p <f c'>-. <f c'>)-. |
  <e c'>4 r8 |
  \mark\default %H
  dis4.(\pp |
  e4) r8 |
  R4. | %185
  r8 r e(\mf |
  a4.) |
  d,8(\p g f) |
  e(\< a\> e) |
  f4\! d16( f) | %190
  f8(-.\< f-. f)-. | \noBreak
  f(-. d-. e)-. |
  <c f>(-.\f <c f>-. <c f>)-. |
  <b f'>4.(\>\startTextSpan |
  b4.\pp | %195
  g4 e'8)\stopTextSpan |
  f8[^\aTempo r a,] |
  b8[ r f'] |
  f8[ r c] |
  d8[ r d] | %200
  c4--\p b8~-- |
  b a4-- |
  e'16(\< f a g\> f e) |
  c4\mf-- b8~-- | \noBreak
  b a4-- | %205
  \mark\default %Imark
  e'16(\p\< f a g\> f e) |
  f8[\! r c]~ |
  c8[ r c]~ |
  c8[ r c]~ |
  c8[ r c] | %210
  f(-.\pp f)-. r |
  e(-. e)-. r |
  d(-. d)-. r |
  c(-. c)-. r |
  b(-. b)-. r | %215
  a(-. a)-. r |
  c(-. c)-. r |
  c(-. c)-. r | %Partitur Bindung
  R4.*2 | %220
  <g e'>4.~\fp |
  <g e'>4.~ |
  <g e'>4.~\pp | %Partitur Dynamik
  <g e'>4. |
  R4. | %225
  <c g'>8^\pizz r r |
  <c f> r r |
  f r r |
  R4.^\fermata |
  \bar "|."
  \pageBreak
}



globalIII = {
  \tempo "Andante maestoso"
  \time 4/4
  \key c \major
  \global
  \partial 2
  \set Score.currentBarNumber = #2
}

violinII_III = \relative c'' {
  \globalIII
  r2 |
  r4 b,(\p as2~ |
  as) r |
  R1*2 |
  r4 b(\p as2~ | %5
  as) r |
  f':64\pp <g, e'!>: |
  <a f'>:\fp f': |
  c4: c8 r d4(-. e)-. |
  r8 f4(\pp f'8) f4. r8 | %10  %Partitur
  r8 g,4( g'8) g4. r8 |
  r4 f,( f') r |
  r d,2.~ |
  d2 r |
  \mark\default %A
  \key d \major
  \bar "||"
  r2 e~\p | %15
  e4 r fis2~\mf |
  fis4 r a(\f cis) |
  r8 <fis, a>16.[\ff <fis a>32 <fis a>8 <d d'>]   <fis a> <d d'> <fis a> <e cis'> | %Partitur 4+ Noten
  <fis d'>8 <fis a>16. <fis a>32 <fis a>8 <d d'>   <fis a> <d d'> <fis a> <e cis'> | %Partitur 4+ Noten
  <fis d'>4 r4 r2 | %20
  c2.\p r4 |
  r e( d2~ |
  d) r4 fis\pp |
  e2.( dis4) |
  r4 fis( eis) r | %25
  r4 cis( gis') r |
  r ais( fis2~ |
  fis4) fis2( eis4) |
  fis2. r4 |
  \mark\default %<B
  r8 <dis h'>16.[\f <dis h'>32 <dis h'>8 <dis h'>]   <dis h'> <dis h'> <dis h'> <e ais> | %30
  <dis h'>8[ <fis a!>16.\ff <fis a>32 <fis a>8 <d a'>]   <fis a> <d d'> <fis a> <e cis'> |  %Partitur 2+, 4+ Noten 
  <fis d'> <d a' fis'>4( g'8) fis( e) a,4~ |
  a8 fis'( a) g fis( e) a,4 |
  \tempo "Maestoso"
  d,8\ff e16 fis g8 fis16 e   fis8 g16 a h8 a16 g | %Partitur Dynamik
  d'8 fis16 e d8 cis16 h   a8 e16 g fis8 e16 d | %35
  cis8 cis'16 h a8 gis16 fis   e8 d16 cis h8 e |
  a,8 a'16 gis a8 e cis a <fis' a>4 |
  <fis d'>8 d16 e fis8\< g16 a   h8 h16 cis d8 e16 fis |
  <h, g'>4\! << { g'2 } \\ { h,4( a) } >> <a fis'>4 | %40
  <h e> d cis d |
  d2( cis4) h |
  a4 r8. <e cis'>16 <e cis'>4 <e cis'> |
  <e cis' a'>4 r\fermata r8 a(\p \slashedGrace c b[ a]) |
  \bar "||"
  %\pageBreak
}

globalIV = {
  \tempo "L'istesso tempo"
  \time 4/4
  \key d \minor
  %\partial 2
  \global
}

violinII_IV = \relative c'' {
  \globalIV
  g8(-. f-. e-. d)-. cis[( e b8.-> a16)] |
  a16(\pp d f e  d f b a)   gis( a f d  cis e b a) |
  a16( d f e  d f b a)   gis( a f d  e g des c!) |
  c16( f a g  f a d c)   h( c a f  e g e c) |
  \override DynamicLineSpanner.staff-padding = #3.6
  b16( a c b  a\< d f b)\!   a( gis b\> a  gis a\! g e) | %5 %Partitur Dynamik
  \mark\default %Amark
  a,16(\pp d f e  d f b a)   gis( a f d  cis e b a) |
  a16( d f e  d f b a)   gis( a f d  e g des c!) |
  c16( f a g  f a d! c)   h( c a f  e g e c) |
  \override DynamicLineSpanner.staff-padding = #3.85
  a16( g' f e  a,\< d f b)   a(\! b a\> gis  a g\! f e) |
  a,2\p r4 a | %10 %Partitur Dynamik
  \revert DynamicLineSpanner.staff-padding
  \after 4\< b2 c |
  d16(\f g b a  g b es d)   cis( d b g)   d4 |
  <g, es'>1:64\fpp |
  d': |
  \rit
  d8\startTextSpan r8 r4 cis8 r r4\stopTextSpan | %15
  \mark\default %Bmark
  d4^\aTempo r8 d-. fis4-. r8 fis-. |
  g4-. r8 g-.\> g4( fis) |
  g,\pp r g'( fis) |
  g d8.(\< b'16) b4(\> es,) |
  d4.\! r8 r4 c8 r | %20
  <g es'>4 r r g' |
  c,\pp c r c |
  r c(\< es2)\> |
  a,2(\! b4\< c) |
  b\sf r4 <c es>\p r | %25
  b(\< d) <d b'>-.\sf r |
  \mark\default %Cmark
  r16 e(\pp cis a  gis a cis e)    r f( d a)  r fis'( dis a) |
  r16 e'( g b)  r b(\f\> cis g')    r a,( cis f)  r a,( cis e) |
  a,,16(\pp d f e  d f b a)   gis( a f d  cis e b a) |  %Partitur Dynamik 3 Tonhöhe
  a16( d f e  d f b a)   gis( a f d  e g des c!) | %30
  c16( f a g  f a d! c)   h( c a f  e g e c) |
  a16( g' f e  a, d f b!   a8) r cis,4\< |
  c!16\f c c r r4 r2 |
  <b d>1\p\< |
  <a d>4\! r r2 | %35
  \tag #'original { R1*2 | }
  \tag #'stichnoten {
    R1 |
    << { R1 } \\ \new CueVoice { \set instrumentCueName = "Vl1" a8[-. a-. r a-.] a8[-. a-. r a-.] | } >>
  }
  g8[-.\pp g-. r g-.] h8[-. h-. r h-.] |
  a8[-. a-. r a-.] a2( |
  h d)~ | %40 %Partitur Bindung
  d1~ |
  d~ |
  d |
  \bar "|."
  \pageBreak
}


globalV = {
  \tempo "Molto andante"
  \time 3/4
  \key f \major
  %\partial 2
  \tupletSpan 4
  \global
}

violinII_V = \relative c'' {
  \globalV
  R2. |
  e,2\p e4 |
  f2 f4 |
  c2 c4~ |
  c a( c) |
  e( c f) | %5
  e( c e) |
  f( c f) |
  r c(\mf f) |
  r c( e) |
  r c( f) | %10
  r c(\< e) | %Partitur 4 Tonhöhe
  c'(\f b8 a g a) |
  <d, b'>2 r4 |
  \mark\default %Amark
  R2.*2 | %15
  <d h' g'>4\f^\pizz r r |
  r g2~^\arco |
  g2 r4 |
  r a2~ |
  \noBreak
  a r4 | %20
  a2.\> |
  gis2(\! g4) |
  fis2(\p f4) |
  e2.( |
  \mark\default %Bmark
  c2) r4 | %25
  R2. |
  r4 d\mf-- e-- |
  f( a g) |
  e(\< a\f g) | %Partitur 1 Tonhöhe
  f( e f) | %30
  c8 e4\p e e8 |
  d2 <g, g'>4 |
  c( e g) |
  g( d\< <g, g'>) | %Partitur Dynamik
  g'8\f g,4( c8 e gis) | %35
  a( g) \times 2/3 { a(-. h-. c)-.  d(-. e-. f)-. } |
  g!4( g,8 a) h( c) |
  c( e,4) c8(\p e a) |
  a2( d,4) |
  << { \oneVoice e2\pp e4(\< | %40
       f2.)\> |
       e2\! r4 | } \\ { s4 s s } >>
  e2 e4 |
  f2\< f4 |
  c2\!-> r4 | %45
  \mark\default %Cmark
  f'2(\p a,8. f'16) |
  e2( f4) |
  e4\<-- e4-- e4-- |
  f2.\p |
  R2.*2 | %51
  r4 c8^\pizz r a r |
  es[ r f] r d4~(\p^\arco | %Partitur Dynamik
  d e!) g~( |
  g f) f~\f | %55
  f2 f4 |
  e( f g) |
  f( b a) |
  g( d e) |
  f( b a) | %60
  <e g>(\> <f a> <g b>) |
  f2.\p^\aTempo |
  e4( f e) |
  f2.\pp |
  c4-. r r |
  f'2(\pp a,8. f'16) | %65
  f2( a,8. f'16) |
  \mark\default %Dmark
  f2.~ |
  f4 r r |
  R2.*4 | %72
  r4 c,(\mf f) | %Partitur Dynamik
  r4 c( e) |
  r4 c( f) | %75
  r4 c(\< e) |
  c'(\f b8 a g a |
  <d, b'>2) r4 |
  R2.*2 | %80
  <d h' g'>4\f^\pizz r r | %Partitur Dynamik
  \mark\default %Emark
  r g2~\p^\arco |
  g r4 |
  r a2~ |
  a r4 | %85
  a2.\< |
  gis2(\f g4) |
  fis2( f4) |
  e2.( |
  c2) r4 | %90
  R2. |
  r4 d--\mf e-- |
  f( a g) |
  e(\< a\f g) | %Partitur Dynamik
  f( e f) | %95
  c8 e4\p e e8 |
  d2 <g, g'>4 |
  c( e g) |
  g( d\< <g, g'>) | %Partitur Dynamik
  g'8\f g,4( c8 e gis) | %100
  a( gis) \times 2/3 { a(-. h-. c)-.  d(-. e-. f)-. } |
  g4( g,8 a) h( c) |
  c( e,4) c8(\p e a) |
  a2( d,4) |
  e2\pp e4(\< | %105
  f2.)\> |
  e2\! r4 |
  e2 e4 |
  f2\< f4 |
  c2\> r4 | %110
  \mark\default %Fmark
  f'2(\p a,8. f'16) |
  e2( f4) |
  e--\< e-- e-- |
  f2.\p |
  R2.*2 | %116
  r4 c8^\pizz r a r |
  es r f r d4~(\p^\arco |
  d e!) g~( |
  g f) f~\f | %120
  f2 f4 |
  e( f g) |
  f( b a) |
  g( d e) |
  f( b a) | %125
  <e g>(\> <f a> <g b>) |
  f2.\p^\aTempo |
  e4( f e) |
  f2.\pp |
  c4-. r r | %130
  f'2( a,8. f'16) |
  f2.~ |
  f2 r4 |
  R2.*2 | %135
  a,,4\pp^\pizz r r |
  a r r\fermata |
  \bar "|."
  %\pageBreak
}

globalVI = {
  \time 2/4
  \key a \minor
  \global
  \tupletSpan 8
  \set Timing.beamExceptions = #'()
  \set Timing.baseMoment = #(ly:make-moment 1/2)
  \set Timing.beatStructure = #'(1)
}

violinII_VI = \relative c'' {
  \globalVI
  \tempo "Allegro"
  \partial 8
  r8 | 
  R2*3 |
  \omit TupletBracket
  r4 r8 \times 2/3 { g,16\p g g } | %5
  \times 2/3 { c[ c \set stemRightBeamCount = #1 c %~
               \set stemLeftBeamCount = #1  d d d] %~
               e\sf e \set stemRightBeamCount = #1 e %~
               \set stemLeftBeamCount = #1 h h h } |
  \times 2/3 { c8.:16 e: a:\sf g: } |
  \omit TupletNumber \undo\omit TupletBracket
  \times 2/3 { c:\sf g: h:\sf g: } |
  \times 2/3 { a: f: g: gis: } |
  \times 2/3 { a:\sf e: g!:\sf e: } | %10
  \times 2/3 { f: d: e: gis: } |
  \times 2/3 { a:\< h: c: dis: } |
  \times 2/3 { <h e>4.:\sf <h e>8.: gis: } |
  \times 2/3 { a:\< h: c: dis: } |
  \times 2/3 { <h e>4.:\sf } <h e>8-. e,-. | %15
  \mark\default %Amark
  \times 2/3 { a,8.:\f c: e: a: } |
  c8 r r4 |
  \undo\omit TupletNumber
  r8 \times 2/3 { f,16( g a) } r8 \times 2/3 { f16( g a) } |
  \omit TupletNumber
  r8 \times 2/3 { a16( h c) } r8 \times 2/3 { a16( h c) } |
  r8 \times 2/3 { d,16(\p\> e f) } r8\! \times 2/3 { d16(\> e f) } | %20
  \undo\omit TupletNumber
  r8\! <d f>4 <d f>8 |
  r <h d>4 <h d>8 |
  r c4 \times 2/3 { e16 e e } |
  \omit TupletNumber
  \times 2/3 { a8.: h: c:\sf gis: } |
  \times 2/3 { a: c: f:\sf e: } | %25
  \times 2/3 { a:\sf e: g:\sf e: } |
  \times 2/3 { f: d: } e8[-. gis,]-. |
  \undo\omit TupletNumber
  a(\p e c a') |
  gis( e h gis') |
  a( e c a') | %30
  h(\< g d h') |
  c(\f a f c') |
  c( e,) e( a) |
  gis(\dim e h gis') |
  fis( dis h fis') | %35
  gis([\p e] h) \times 2/3 { g'16[ g g] } |
  \omit TupletNumber
  \times 2/3 { a8.:16\< h: c: dis: } |
  \times 2/3 { <h e>4.:\sf <h e>8.: gis: } |
  \times 2/3 { a8.:\< h: c: dis: } | %Partitur Dynamik
  e4\sf r | %40
  \undo\omit TupletNumber
  \mark\default %Bmark
  <c, a'>^\pizz r |
  <g g'> r |
  <e' c'> r |
  <e h'> r |
  <e e'>\sf r | %45 %Partitur Dynamik
  <e d'> <e c'> |
  <e h'> r |
  <e h'> r |
  <e c'> r |
  <b e> r | %50
  <e c'> r |
  <e cis'> r |
  <e cis'> r |
  <g e'> r |
  <e cis'> r | %55
  <e cis'> c' |
  <e, h'> r |
  <e h'> r |
  <fis h> r |
  <fis h> r | %60
  <e h'>\p^\arco r8 a-. |
  gis4 r8 c-. |
  h4 r8 c-. |
  h4-. r |
  \mark\default %Cmark
  R2*2 | %66
  \pageBreak
  \tag #'instrument { \tempo \markup{ \parenthesize { \override #'(expand-limit . 1) \multi-measure-rest-by-number #2 } } }
  r4 r8 f-.\mf |
  e-. d-. c-. h-. |
  a c' g h |
  f a e g |%70
  c, e f f |
  f(\> e d cis) |
  d4\! r |
  R2 |
  <d f a>4^\pizz r | %75
  R2 |
  <f a f'>4 r |
  <f a f'>4 r |
  <f a f'>4 r |
  <f c'>4 e | %80
  \tupletSpan 4
  <f a> \times 2/3 { r8 c'(\>^\arco b) } |
  \times 2/3 { a([ g f]\!  e g f) } | %Partitur Dynamik
  \times 2/3 { e(\! d c) } f4~ |
  f c'~ |
  c r | %85
  \times 2/3 { f,8[ f f]  as as as } |
  \times 2/3 { f4.:8 as: } |
  \omit TupletNumber
  \times 2/3 { c,: as': } |
  \times 2/3 { as: des: } |
  \times 2/3 { des,:\< f: } | %90
  \times 2/3 { <a! f'>:\f <a f'>: } |
  \undo\omit TupletNumber
  <e c'>2\dim |
  <f c'>4 \times 2/3 { r8 c'(\> b) } |
  \times 2/3 { a([ g f]\!  e g f) } |
  \omit TupletNumber
  \times 2/3 { e( d c) } f4~ | %95
  f c'~ |
  c r |
  \mark\default %Dmark
  a8( f c a') |
  a(\< f d a') |
  d(\f gis, f d') | %100
  c( e,) e( c') |
  <e, c'>4-.\sf r |
  r8 g,( c e) |
  <g, f'>2 |
  r4 g' | %105
  c8( g e c') |
  \times 2/3 { <c, e>4.:8\p\< <c e>: } |
  \noBreak
  e'8(\f c e, e') |
  \undo\omit TupletNumber
  \times 2/3 { c,[\< d e]   f g a } |
  c8[\ff r16 e] e4~ | %110
  e2~ |
  e4 e,~-> |
  e8 d-. c-. h-. |
  \mark\default %Emark
  a4 r |
  R2 | %115
  \break
  r4 r8 f'-.\mf |
  \noBreak
  e-. d-. c-. h-. |
  a c' g h |
  f a e g |
  \tupletSpan 8
  \times 2/3 { d8.:16\f\< f: a: d: } | %120
  \noBreak
  \omit TupletNumber
  \times 2/3 { f:\> d: a: f: } |
  d8-.\! f-. c-. e-. |
  b d a c |
  f a, b d |
  f e f d | %125
  b d f a |
  b4-. <d, b'>-. |
  <d d'>8(\ff h'! gis) gis'~( | %Partitur Dynamik
  gis d h) h'~( | %130
  h gis d) h'~( |
  h gis d) h'~ |
  \mark\default %Fmark
  \key a \major
  \time 4/4
  \tempo "L'istesso tempo"
  \section
  \undo\omit TupletNumber
  \tupletSpan 4
  h4 r r2 |
  r4 a,2(\p gis4) |
  cis8( a e dis   fis e cis a) | %135
  gis( h d dis   e fis \times 2/3 { gis8 fis e) } |
  e( dis fis e   gis e \times 2/3 { a8 h cis) } |
  e8( dis d cis   d h gis d) |
  cis( e cis' h   a gis \times 2/3 { a8 fis e) } |
  dis( fis dis' cis   h a \times 2/3 { gis8 a fis) } | %140
  e8(\< gis h e   gis dis e h) |
  gis8(\! cis h gis   h\p ais a fis) |
  e4 r8 h \times 2/3 { h8\< cis dis   e fis gis } |
  \omit TupletNumber
  h4\! r8 e,\f \times 2/3 { e8\< fis gis   a h c } |
  \mark\default %Gmark
  \globalVI
  \section
  e4\! r | %145
  r8. e16\ff e4~ | %Partitur Dynamik
  e e,~-> |
  e8 d-. c-. h-. |
  a4 r |
  R2 | %150
  \break
  r4 r8 f'-.\mf | %Partitur Dynamik
  e-. d-. c-. h-. |
  a c' g h |
  f a e g |
  \undo\omit TupletNumber
  \times 2/3 { d8.:16\f\< f: a: d: } | %155
  \omit TupletNumber
  \times 2/3 { f:\> d: a: f: } |
  d8-.\! f-. c-. e-. |
  b d a c |
  c( a b d) |
  f(\< d f b) | %160
  b(\f des, f b |
  des a! c b) |
  as( c,\dim f as |
  c g b as) |
  r c,( f as |
  c g b as) |
  g4 r8 g |
  \undo\omit TupletNumber
  \tupletSpan 4
  \times 2/3 { <h, g'>4.:8\< \omit TupletNumber <a fis'>: } |
  <h g'>4.\! g'8 |
  \undo\omit TupletNumber
  \tupletSpan 4
  \times 2/3 { g8[-. a-. h]-. \omit TupletNumber c-. d-. es-. } |
  g8-> h,-> d-> g,-> |
  R2 |
  \mark\default %Hmark
  R2 |
  d4(\pp c |
  h2)~ |
  h4 h |
  c-. as-. |
  g-. as-. |
  g( c8)[ r16 es]-. |
  g4-. c,-. |
  c2(\p |
  es4.-> des8) |
  c2( |
  ges'4.-> es8) |
  fes4( des |
  fes4.-> es8) |
  as,4( des8)[ r16 fes] |
  as2\< |
  \undo\omit TupletNumber
  \times 2/3 { r8\! cis,([\f his]   cis dis e)} |
  \omit TupletNumber\omit TupletBracket
  \times 2/3 { r8 cis([ his]   cis dis e)} |
  \undo\omit TupletNumber
  dis2~\sf |
  \times 2/3 { dis8 <h dis> <h dis> <h dis>4.:8 } |
  <h e>2~ |
  <h e>~ |
  <h e>8 r <h' e>4:32\p\< |
  <h e>: <h e>: |
  <h e>8-.\ff r r4 |
  R2*3 |
  %\pageBreak
  \mark\default %Imark
  <c, a'>4^\pizz %Partitur Notenlänge und Staccato
  %^\markup{ "(" \override #'(expand-limit . 2) \multi-measure-rest-by-number #3 ")" }
  r |
  <g g'> r |
  <e' c'> r |
  <e h'> r |
  <e e'>\sf r |
  <e d'> <e c'> |
  <e h'> r |
  <e h'> r |
  <b e> r |
  <e c'> r |
  <e c'> r |
  <e cis'> r |
  <e cis'> r |
  <g e'>\sf r8 <fis d'> |
  <e cis'>4 r |
  << { cis'4(^\arco c) } \\ { e,2 } \\ { s4\< s8 s16 s\! } >> |
  \mark\default %Jmark
  \tempo "L'istesso tempo"
  \bar "||"
  \key a \major
  \time 4/4
  <h' gis'>8(\f dis fis e)~   e( ais, cis h)~ |
  h8( eis, gis fis)   e( cis dis8. e16) |
  e4 r8 e( \times 2/3 { dis\< e gis   h e fis) } |
  gis8(\! e h gis) \times 2/3 { h(\< dis e   gis cis h) } |
  \omit TupletNumber
  h8(\! gis eis h) \times 2/3 { eis( gis h   h, cis d!) } |
  \rit
  d8(\startTextSpan ais\dim h cis   d) e-- fis-- gis--\stopTextSpan |
  \mark\default %Kmark
  \undo\omit TupletNumber
  \tempo "poco meno mosso"
  a4\pp^\dolce e,8( dis   fis e cis a) |
  gis( h d dis    e eis \times 2/3 { gis fis e) } |
  e( dis fis e    gis e\< \times 2/3 { a h cis) } |
  e(\> dis d cis\!   d h gis d!) |
  cis( d \times 2/3 {  e fis g) }   g( a h cis) |
  cis( e d gis,!   h a fis d) |
  g!( fis g e   cis a4.)~ | |
  a2 r |
  r4 <fis' d'>2.\sf |
  r4 <fis dis'>2.\sf |
  <cis' e>4\ff a2 a4~^^ |
  a gis2\dim^^ fis4~^^ |
  fis\p e2 dis4~ | %Partitur Dynamik
  dis\startTextSpan d2 <d e>4\stopTextSpan | 
  \break
  \tempo "Animato"
  \undo\omit TupletNumber
  a'8( e cis' e) \times 2/3 { e\< fis gis   a h cis } |
  e8(\f cis a e) \times 2/3 { a, h cis   cis e a } |
  <cis, a'>4 r8. <cis e>16 <cis e>4 <cis e> |
  a, r8. <cis' e>16 <cis e>4 <cis e> |
  a,1\fermata |
  \bar "|."
  \pageBreak
}

globalVII = {
  \tempo "Adagio non troppo"
  \time 3/4
  \key d \major
  %\partial 2
  \global
}

violinII_VII = \relative c'' {
  \globalVII
  R2.*3 |
  r4 r8 d,8~(\p d16 cis h cis) |
  a4 r r | %5
  R2. |
  \mark\default %Amark
  a8[\p r h] r r h |
  cis8[ r d] r r a-. |
  a4( fis')-.\mf e8.( cis16) | %Laut Partitur \mf auf 2
  d4( fis4.) fis8\p | %10
  e4 r r |
  <cis e>4\p r r |
  r r8 e-.\< e([ gis]) |
  <e a>4--\! gis-- a-- |
  <e ais>8.( <d h'>16) <d h'>4 c'16(\< d e fis) | %15 %Partitur Bindung
  r8\! g16(\f fis) r8 fis16( e) r8\dim e16( d) |
  r8 d16( cis) r8 cis16( h) h( a) a( g) |
  fis(\p d fis a)   r d,( fis h)   r fis( a cis) |
  e8( g, fis4) g8( e) | %20
  d4 << { a'2 } \\ { fis4\< e | \oneVoice
                     <dis a'>2\sf fis4\p | } >> %Partitur Tonhöhe
  \mark\default %Bmark
  h,( e h) |
  d( c\< cis) |
  d4(\mf g,) r | %25
  e'2. |
  <g a>4 r <g a> |
  \override DynamicLineSpanner.staff-padding = #5.5
  <f a> a,(\< d) |
  f\f b,2\> |
  g8(-. c-.\p c-.    c-. c-. c-.) | %Partitur Dynamik
  \revert DynamicLineSpanner.staff-padding
  <c f>(-. <c f>)-. r4 c | %30
  c4.( g'8) g( f16 e) |
  d8(-. d-. d-.\pp    d-. d-. d-.) |
  d( h4) h8(-. h[-. d])-. |
  d4.( a'8) a(\< g16 fis) | %35
  e8(-.\! e-. e-.    e-. e-. e)-. |
  e[-.\mf e-. r    cis\p r e]( |
  f)[ f r    f r e]\mf |
  e[ cis' r    e,\p r e] |
  d[( d') r\<    <d, d'> r <d d'>] | %40
  c'(\f c,) e'( e,) d'( d,) |
  f f4(\> a c8) |
  d(\mf d,4 b'8)\< b( d) |
  \times 2/3 { d8--\! c-- d-- } c( c,) b( b') | %Partitur kein cis
  \times 2/3 { b8( a b) } a4-- g-- | %45
  <a, e'> a(\p b) |
  d( cis\< d) | %Partitur Dynamik
  f(\! e f) |
  \rit
  <es b'>2.\ff\startTextSpan |
  cis2\pp r4\stopTextSpan | %50
  \mark\default %Cmark
  a8[^\aTempo r h] r r h |
  cis8[ r d] r r a-. |
  a(\< d fis4) e8.(\! cis16) |
  d4( fis4.) fis8\p |
  e4 r r | %55
  <cis e>4-. r r |
  r r r8 <d h'>-. |
  cis4( d cis) |
  h8( cis a4.)\< e'8 |
  g4(-.\f fis-. e)-. | %60
  d8( e cis4) <cis e>\p |
  <c d>8[ r <c d> r <c d>] r |
  <h d>4(\mf g) r8 g'\p |
  g4(\< h2)\> |
  R2.\! | %65
  h,4(\p b2)~\< | %Partitur Dynamik
  b4 b(\> \after 4\! a) | %Partitur Dynamik
  \tempo "Piu animato"
  << { b'4_\marc a } \\ { d,2 } >> gis4 |
  g! fis f | %70
  fis! fis <d d'>8.\f <d d'>16 |
  <d d'>2 <fis a>4-. |
  <e h'>2 a8( g) |
  <fis a>4-- <e a>-- r8\fermata <cis e>-. |
  \mark\default
  <a d>4. r8 r4 | %75
  R2.*2 |
  r4 r8 d8~(\p d16 cis h cis) |
  a4 r r |
  R2. | %80
  r4 fis'(\pp g)~ |
  g( fis e) |
  fis2.~ |
  fis\fermata |
  \bar "|."
}

globalVIII = {
  \time 4/4
  \key des \major
  %\partial 2
  \global
}

violinII_VIII = \relative c'' {
  \globalVIII
  \tempo "Moderato"
  R1*4 |
  f,4.\pp^\ten r8 ges4. r8 | %5
  f4. r8 es4. r8 |
  des4. r8 des4. r8 |
  des4. r8 r2 |
  \mark\default %Amark
  R1*3 |
  \break
  r2 r4 ges\pp |
  f4. r8 ges4. r8 |
  f4. r8 ges4. r8 |
  f4. r8 es4. r8 | %15
  des4. r8 des4. r8 |
  des4. r8 r2 |
  \break
  r4 d(\p es b) |
  as4. r8 as4. r8 |
  as4. r8 r2 | %20
  R1*2 |
  r2 f'8^\pizz r r4 |
  r c8 r es r r4 | %Partitur Tonhöhe
  R1*2 | %26
  f4\pp^\arco r as r |
  r2 a\sfp |
  b4( des8 a) a2\sfp |
  des,4:64\pp des8 r des4: des8 r | %30
  des4:64\cresc des8 r a'4: g8 r |
  \mark\default %Bmark
  \key d \major
  \bar "||"
  <fis a>4:64\f <fis a>8 r <d h'>4: <d h'>8 r |
  \tempo "Maestoso"
  <fis d'>2. fis'8. a16 |
  d4 <d,, a' fis'>-. <d h' g'>-. <d h' g'>-. |
  <d a' fis'>-. <d a' fis'>-. <d h' g'>-. <d h' g'>-. | %35
  <d a' fis'>-. r fis'2(\pp |
  g) g |
  fis( a) |
  d,( g) |
  fis4. r8 fis2( | %40
  a fis) |
  e( cis4 d8 cis) |
  a2( h) |
  <h d>:\sfpp <h d>8 r fis4(~ |
  fis2. ais4) | %45
  \tempo "poco animato"
  gis( eis gis eis) |
  \tag #'percent { \repeat percent 3 { a( fis a fis) | }}
  \tag #'unfold { \repeat unfold 3 { a( fis a fis) | }}
  g(\pp e g e) | %50
  d2(\< f4\> d)~ |
  d\! cis8 d <g, e'>2 |
  \rit
  r4\startTextSpan g'(-. fis-. e)-.\stopTextSpan |
  \mark\default %Cmark
  \tempo "Tempo I"
  d( a e' g) | %Partitur Tonhöhe
  fis( a, cis h) | %55
  \override DynamicLineSpanner.staff-padding = #3.5
  a4(\< fis'2 d'4)~ | %Partitur Dynamik
  d(\! cis8\> h b4 a8 g) |
  fis4.\pp r8 g4. r8 |
  \revert DynamicLineSpanner.staff-padding
  fis4. r8 e4. r8 |
  d4. r8 d4. r8 | %60
  d4. r8 r2 |
  d4.\p r8 r2 | %Partitur Dynamik
  r8 <h d>(-.[ r <h d>-. r d-. r dis-.]) |
  e4-- r d!-- r |
  r8 fis(-.[ r fis-. r fis-. r fis-.]) | %65
  e4 r c r |
  r8 d(-.[ r d-. r fis-. r fis-.]) |
  g1\pp |
  fis8[ fis r fis](-. r a[-. r a])-. |
  a1\< | %70
  gis8[->\! gis\pp r gis]-. r gis[-. r gis]-. |
  fis2. r4 |
  \mark\default %Dmark
  \globalVIII
  \bar "||"
  ges8[->\pp ges r ges] r ges[ r ges] |
  f8[ f r f] r f[\< r f] | %Partitur Dynamik
  ges8[\! ges r ges]( f)[ f r f]( | %75
  \noBreak
  ges8)[\>\startTextSpan ges r ges] r\! ges([-. r ges])-.\stopTextSpan |
  \tempo "Meno mosso"
  f4.\pp r8 ges4. r8 | %Partitur Dynamik
  f4. r8 es4 r8 es |
  des4. r8 <des b'>4. r8 |
  <des b'>4. r8 r2 | %80
  \moltoRit
  r2\fermata des2\pp\startTextSpan |
  c1\stopTextSpan |
  \mark\default
  des4(^\aTempo as des ges) |
  f4( as, c b) |
  as f'2\< des'4(~ | %85
  des\f c8\> b heses4 as8 ges) |
  f4-.\! <f des'>2.\mf |
  <ges des'>4(\< c des ges) |
  f-.\! as,2(\ff a4) | %Partitur Dynamik
  b( des ges4..) f16 | %90
  f2 des4.( des'8) |
  des2 des,4.( des'8) |
  des4-. r r2 |
  r2 des,,8^\pizz r r4 |
  des8 r r4 r2\fermata |
  \bar "|."
  \pageBreak
}

globalIX = {
  \tempo "Moderato"
  \time 4/4
  \key a \major
  %\partial 2
  \global
  \tupletSpan 8
}

violinII_IX = \relative c'' {
  \globalIX
  R1 |
  r2 a,(\pp |
  a) b( |
  a h! |
  e) e(\cresc | %5
  dis d) |
  cis8\f \times 2/3 { a'16 a a   cis cis \set stemRightBeamCount = #1 cis %~
                      \set stemLeftBeamCount = #1 e e e %~
                      fis8.:16 gis: a: h: } | \omit TupletNumber %Partitur Dynamik Tonlänge
  \times 2/3 { e:16 a,,: cis: e:   fis: gis: a: h: } |
  e4 \times 2/3 { fis,,8.:16 gis:   a: cis: e: a: } |
  \times 2/3 { gis:16 e,: fis: gis:   a: cis: e: a: } | %10
  <h, gis'>2 r8 h,16( cis   d e fis gis) |
  a8-. e16([ fis]  gis a h cis) r8 a16( h  cis d e fis) |
  r8 h,,16([ cis]  d e fis gis) r8 dis16( e  fis gis a h) |
  r8 e,16([ fis]  gis a h cis) r8 a16( h  cis d e fis) | %15
  r8 h,,16([ cis]  d e fis gis) r8 dis16( e  fis gis a h) |
  r8 e,16([ fis]  gis a h cis) r8 a,16( h  cis d! e fis) |
  gis2. r4 |
  \mark\default %Amark
  R1 |
  \break
  r2 r4 r8 gis,\p | %20 %Partitur Tonlänge
  a2 <a dis> |
  d!2. r4 |
  d4(\< cis8 h ais4.) cis'8 |
  fis,2(\! e4.) e8\p |
  fis4( h, fis' e) | %25
  \mark\default %Bmark
  r2 r4 r8 cis |
  d4( cis h) r |
  <a e'>2 <a dis> |
  d!2. r4 |
  d4(\< cis8 h ais4.) cis'8\f | %30
  fis,( d' cis h) e,4.\p e8 |
  fis4( h, fis' e) |
  e2(\pp d)~ | %Partitur Dynamik
  d cis |
  <cis e>4\< r <cis e>4 r | %35
  e8(\f gis cis e fis4-.) r8 his, | %Partitur 4+ staccato
  cis4-. <e, cis'>-. r <e cis'>-. |
  r <e cis'>-. r r8 cis16 dis |
  e1\sf |
  \mark\default %Cmark
  \tempo "Poco piu allegro"
  R1*5 |
  r4 d'\f cis h | %45
  a^\marc e dis d |
  cis eis fis a |
  h, cis8 dis  e! fis gis4 |
  a cis( gis a) | %Partitur Bindung
  e cis8 d e2~ | %50
  e4. cis8 d( h'4) a8 |
  gis fis e d  cis( a'4) g8 |
  fis4 d a' gis! |
  a ais h8 a gis fis |
  eis4 cis'8 h a h c4 | %55
  fis,4 a gis h8 a |
  gis4 e dis8 e fis gis |
  e4 h'\ff cis h |
  a a a8 h a4 |
  gis a gis h8 a | %60
  gis2 fis |
  << { e'2. } \\ { h4 cis h } >> cis8 h |
  ais h cis ais  e fis g4 |
  fis4. d'8 fis4 dis8 cis |
  his cis dis his   gis a fis gis | %65
  \mark\default %Dmark
  e4 gis'8 e cis4. e8 | %Partitur Tonhöhe
  <a, a'>8( gis' fis e) dis4. <a a'>8\p |
  <a a'>4\< <a a'> <c e>2~\f |
  <c e>4 << { s2. |
              \section
              \time 3/2
              <h gis'!> } \\ { <c e>4\< <c e> <c e> | e,4\f } >>
  e'4-> h-> gis-> | %70
  <fis dis'>2-- <gis e'>-- a4 h8 a |
  \section
  \mark\default % Emark
  \time 4/4
  gis4-. r r2 |
  r4 h,\mf-- ais-- a-- |
  gis his cis e~ |
  e\< d8 cis fis4 d'\f | %75
  cis d cis <d, c'> |
  <d h'>( a'8 g) fis( e fis4) | %Partitur Dynamik
  g h, a h8 a |
  gis!4 gis'!(\p a h) |
  c\cresc g a2 | %80
  b4 a\f g a8 h | %Partitur Vorzeichen
  c4 g8 gis a4 a~^^ |
  a d, h h' |
  r f(\f e d) |
  c2( a'4) f'(\sf | %85
  e) <a, a'> gis'!-- fis!-- |
  e,2\mf f\cresc |
  fis!4 g gis-. <h e>\ff |
  <a a'> gis'8 fis e fis d4 |
  <cis e> h8 a gis4 e | %90
  a4 gis8 fis e fis d4 |
  cis a' h8 cis a4 |
  \mark\default %Fmark
  e' r r2 |
  R1 |
  r4 r8 a,\mf gis4(-. g)-. | %Partitur staccato
  fis\< ais h d | %95
  e,\f fis8 gis a! h cis4 |
  <d, d'> r r <d d'>-. |
  <a' e'>-. <d, d'>-. <e cis'>-. <d d'>8 <d d'> |
  <a' e'> <a e'> <d, d'> <d d'> <e cis'>4 <d d'>-. |
  <a' e'>-. <d, d'>-. <e cis'>-. <e cis'> | %100
  \mark\default %Gmark
  <a a'>4( <b b'>2) <b b'>4 |
  <a a'>2. <a a'>4 |
  \tupletSpan 4
  \undo\omit TupletNumber
  \times 2/3 { e'8 dis fis   e cis a \omit TupletNumber   e dis fis   e a cis } |
  \times 2/3 { cis8\< a h   cis e gis   a, e gis   a cis d! } | %Partitur Dynamik
  gis,2\!^^ a^^ | %105
  h^^ <h gis'>^^ |
  <cis a'>8-. e,16 fis   gis a h cis    h( a) e a   h cis d e |
  d( cis) a cis    e gis a cis    h( a) e cis   e a, cis e |
  \rit
  a1~\startTextSpan |
  a~ |
  a\fermata\stopTextSpan |
  \bar "|."
}

\book {
  \score {
    \header { piece = "I. Erwartung" }
    \new Staff \with {
      midiInstrument = "violin"
      \consists Merge_rests_engraver
      \consists Measure_counter_engraver
    }
    \keepWithTag #'unfold
    \keepWithTag #'instrument
    \violinII_I
    \layout { }
  }
  \score {
    \header { piece = "II. Die Hirten" }
    \new Staff \with {
      midiInstrument = "violin"
      \consists Merge_rests_engraver
      \consists Measure_counter_engraver
    }
    \keepWithTag #'unfold
    \keepWithTag #'instrument
    \violinII_II
    \layout { }
  }
  \score {
    \header { piece = "III. Erscheinung des Engels" }
    \new Staff \with {
      midiInstrument = "violin"
      \consists Merge_rests_engraver
      \consists Measure_counter_engraver
    }
    \keepWithTag #'unfold
    \keepWithTag #'instrument
    \violinII_III
    \layout { }
  }
  \score {
    \header { piece = "IV. Bethlehem" }
    \new Staff \with {
      midiInstrument = "violin"
      \consists Merge_rests_engraver
      \consists Measure_counter_engraver
    }
    \keepWithTag #'unfold
    \keepWithTag #'instrument
    \keepWithTag #'stichnoten
    \violinII_IV
    \layout { }
  }
  \score {
    \header { piece = "V. Die Hirten an der Krippe" }
    \new Staff \with {
      midiInstrument = "violin"
      \consists Merge_rests_engraver
      \consists Measure_counter_engraver
    }
    \keepWithTag #'unfold
    \keepWithTag #'instrument
    \violinII_V
    \layout { }
  }
  \score {
    \header { piece = "VI. Der Stern" }
    \new Staff \with {
      midiInstrument = "violin"
      \consists Merge_rests_engraver
      \consists Measure_counter_engraver
    }
    \keepWithTag #'unfold
    \keepWithTag #'instrument
    \violinII_VI
    \layout { }
  }
  \score {
    \header { piece = "VII. Anbetung der Weisen" }
    \new Staff \with {
      midiInstrument = "violin"
      \consists Merge_rests_engraver
      \consists Measure_counter_engraver
    }
    \keepWithTag #'unfold
    \keepWithTag #'instrument
    \violinII_VII
    \layout { }
  }
  \score {
    \header { piece = "VIII. Maria" }
    \new Staff \with {
      midiInstrument = "violin"
      \consists Merge_rests_engraver
      \consists Measure_counter_engraver
    }
    \keepWithTag #'unfold
    \keepWithTag #'instrument
    \violinII_VIII
    \layout { }
  }
  \score {
    \header { piece = "IX. Erfüllung" }
    \new Staff \with {
      midiInstrument = "violin"
      \consists Merge_rests_engraver
      \consists Measure_counter_engraver
    }
    \keepWithTag #'unfold
    \keepWithTag #'instrument
    \violinII_IX
    \layout { }
  }
  \score {
    \new Staff \with {
      midiInstrument = "violin"
      \consists Merge_rests_engraver
    } { \tempo 4 = 66
        \keepWithTag #'unfold
        \keepWithTag #'original
        \keepWithTag #'conductor
        \unfoldRepeats
        \violinII_I
        \tempo 8 = 104
        \keepWithTag #'unfold
        \keepWithTag #'original
        \keepWithTag #'conductor
        \unfoldRepeats
        \violinII_II
        \tempo 4 = 69
        \keepWithTag #'unfold
        \keepWithTag #'original
        \keepWithTag #'conductor
        \unfoldRepeats
        \violinII_III
        \violinII_IV
        \tempo 4 = 72
        \keepWithTag #'unfold
        \keepWithTag #'original
        \keepWithTag #'conductor
        \unfoldRepeats
        \violinII_V
        \tempo 4 = 104
        \keepWithTag #'unfold
        \keepWithTag #'original
        \keepWithTag #'conductor
        \unfoldRepeats
        \violinII_VI
        \tempo 4 = 60
        \keepWithTag #'unfold
        \keepWithTag #'original
        \keepWithTag #'conductor
        \unfoldRepeats
        \violinII_VII
        \tempo 4 = 72
        \keepWithTag #'unfold
        \keepWithTag #'original
        \keepWithTag #'conductor
        \unfoldRepeats
        \violinII_VIII
        \tempo 4 = 88
        \keepWithTag #'unfold
        \keepWithTag #'original
        \keepWithTag #'conductor
        \unfoldRepeats
        \violinII_IX
    }
    \midi { \tempo 4 = 120 }
  }
}