1670 lines
40 KiB
Plaintext
1670 lines
40 KiB
Plaintext
%SPDX-License-Identifier: MIT
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\version "2.24.4"
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\language "deutsch"
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copyright = \markup { "©Berrit Birkner 2025, This work is openly licensed via CC BY 4.0" }
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\header {
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title = "Der Stern von Bethlehem"
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instrument = "Violine II"
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composer = "Josef Rheinberger"
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% LilyPond-Standard-Tagline entfernen
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tagline = ##f
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copyright = \copyright
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}
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ffp = #(make-dynamic-script "ffp")
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fpp = #(make-dynamic-script "fpp")
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sfpp = #(make-dynamic-script "sfpp")
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%% fix sempre p alignment
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psem =
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#(make-dynamic-script
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(markup #:hspace 0
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#:translate '(-1.85 . 0)
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#:line (#:dynamic "p"
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#:normal-text "sempre")))
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ppppsem =
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#(make-dynamic-script
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(markup #:hspace 0
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#:translate '(-1.85 . 0)
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#:line (#:dynamic "pppp"
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#:normal-text "sempre")))
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dynamicVoice = { \override Voice.Rest.stencil = ##f }
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get = \markup{\right-align "get."}
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pocoCresc = { \once\set crescendoText = \markup{\italic { "poco cresc." } } }
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sempreCresc = { \once\set crescendoText = \markup{\italic { "sempre cresc." } } }
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moltoRit = { \override TextSpanner.bound-details.left.text = \markup { \upright "molto rit." } }
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rit = { \override TextSpanner.bound-details.left.text = \markup { \upright "rit." } }
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sulG = \markup { "G-Saite" }
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conSord = \markup { \italic {"con sordino"} }
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senSord = \markup { \italic {"senza sordino"} }
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% pizz = #(define-music-function () ()
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% #{
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% % Show the playing instruction
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% ^\markup { "pizz." }
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% % Change the MIDI playback instrument
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% \set Staff.midiInstrument = #"pizzicato strings"
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% #})
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% arco = #(define-music-function () ()
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% #{
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% ^\markup {"arco" }
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% \set Staff.midiInstrument = #"violin"
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% #})
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pizz = \markup { \italic { "pizz." } }
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arco = \markup { \italic { "arco" } }
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aTempo = \markup { "a tempo" }
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dolce = \markup { "dolce" }
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marc = \markup { "marc." }
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ten = \markup { "ten." }
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%pausenHinweis = \markup
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\paper {
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#(set-paper-size "a4")
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ragged-last-bottom = #f
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first-page-number = #2
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print-first-page-number = ##t
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scoreTitleMarkup = \markup {
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\fill-line {
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\fontsize #3 \bold \fromproperty #'header:piece
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\fromproperty #'header:opus
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}
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}
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}
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\layout {
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\context {
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\Voice
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\consists "Melody_engraver"
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\override Stem.neutral-direction = #UP
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}
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}
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global = {
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%\set Score.rehearsalMarkFormatter = #format-mark-box-numbers
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\compressEmptyMeasures
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\override Hairpin.minimum-length = 4
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\override MultiMeasureRestNumber.direction = #DOWN
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\set Score.rehearsalMarkFormatter = #format-mark-alphabet
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\override DynamicTextSpanner.style = #'none
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\tagGroup #'(unfold percent)
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\tagGroup #'(original stichnoten)
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\tagGroup #'(instrument conductor)
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}
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globalI= {
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\key a \major
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\time 4/4
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\tempo "Molto moderato"
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\global
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}
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violinII_I = \relative c'' {
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\globalI
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% Die Noten folgen hier.
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R1 |
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r2^\conSord a,~\pp |
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a1~ |
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a2 r |
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r r8 e''(\p d[ e]) | %5
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cis( a fis gis h a h cis) |
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e( d a h cis4 gis8 a) |
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gis( e gis a gis2) |
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a2.( e4) |
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fis4.( e8 d4 e) | %10
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d4 d(\< fis h) |
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<e, h'>2\f r8 h16( cis d e fis gis) |
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a8-. e16([ fis] gis a h cis) r8 a16( h cis d e fis) |
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r8 h,,16( cis d e fis gis) r8 dis16( e fis gis a h) |
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r8 e,16( fis gis a h cis) r8 a16( h cis d e fis) | %15
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r8 h,,16( cis d e fis gis) r8 dis16( e fis gis a h) |
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r8 e,16( fis gis a h cis) r8 a,16(\p h cis d e fis) |
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gis2. r4 |
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\mark\default
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r1 |
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r2^\senSord r4 r8 gis,\p | %20
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a2 <a dis> |
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d!2. r4 |
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d4( cis8\< h ais4.) cis'8 |
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fis,2\! e4.\p e8 |
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fis4( h, fis' e) | %25
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\break
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r2 r4 r8 cis\p |
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d4( cis h) r4 |
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<a e'>2\p <a dis> |
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d!2. r4 |
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d4( cis8 h ais4.) cis'8\f | %30
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fis,8( d' cis h) e,4.\p e8 |
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fis4( h, fis' e) |
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\mark\default
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r2 <h gis'>8^\pizz r r4 |
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<cis e a>8 r8 r4 a4.(^\arco a'8) |
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gis8-. r r4 r8 h,16( cis d e fis gis) | %35
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r8 e16( fis gis a h cis) dis16( fis e dis e cis a e) |
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e2~\p e8 h'(\< a gis) |
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<fis a>2.\sf r8 fis\p |
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gis4( h,)~ h8\< cis( dis e) |
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fis2.\sf r8 fis\p | %40
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gis4 r <a, e'>2 |
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a'( gis) |
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r8 d4. r8 d4.\< | %Partitur
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dis8(\f\< gis h dis) <cis e>4-.\sf r4 |
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\tag #'percent { \repeat percent 2 { dis,4.\fp dis8 dis4. dis8 | }} %45
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\tag #'unfold { dis4.\fp dis8 dis4. dis8 | %45
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dis4. dis8 dis4. dis8 | }
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\mark\default
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\repeat tremolo 4 { e16(\sf\> fis) } \repeat tremolo 4 { e16(\p fis) } |
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gis4 r h,4.( fis'8) |
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fis4( eis) cis(\< e8\> d) |
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\time 3/2
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cis4(\! a'2 g4) g2 | %50 %Partitur
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r4
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<<
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{
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<fis a>2\< <e a>4 <dis c'>2 | %Partitur
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e'2\ff e <d, d'> | %Partitur
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}
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\\
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{
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s4*5 |\small <e c'>4 s <e c'>
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}
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>>
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<a f'>1 <c e>4 c~->( |
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\time 4/4
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\noBreak
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c\mf h8 c) a4( e)~ |
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\noBreak
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e( d8 e c4) f'4~(\sf | %55
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\noBreak
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f e8 d) cis![( d) r d,] |
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\repeat tremolo 4 { d16( e) } \repeat tremolo 4 { d16( e) } |
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%\pageBreak\partial 1. s2\bar "|" \pageBreak
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\mark\default
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\repeat tremolo 4 { fis16(\pp d) } \repeat tremolo 4 { e16( cis) } |
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e16( d e d e16 cis e cis) \repeat tremolo 4 { e16( h) } |
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<<
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{ e8( a cis e) fis,8( a dis\< fis) | \oneVoice gis4--\! } %Partitur
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\\
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{ cis,,8( e a cis) dis,8( fis a dis!) | }
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>> %60
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a'4-- h-- r8 h,\f |
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h( d, cis' d) e( cis e fis) |
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e( d cis h) e,4.\p e8 | %Partitur
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fis4( h, fis' e) |
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<< { \oneVoice
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\tag #'percent {
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\repeat percent 2 { e16( cis) cis( e) } \repeat percent 2 { fis16( d) d( fis) } | %65
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\repeat percent 2 { fis16( d) d( fis) } \repeat percent 2 { gis16( eis) eis( gis) } |
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\repeat percent 4 { a16( fis) fis( a) } |
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\repeat percent 2 { a16( d,) d( a') } \repeat percent 2 { b16( f) f( b) } |
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\repeat percent 2 { b16( f) f( b) } b16( g) g( b) a16( f) f( a) |
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}
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\tag #'unfold {
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e16( cis) cis( e) e16( cis) cis( e) \repeat unfold 2 { fis16( d) d( fis) } | %65
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\repeat unfold 2 { fis16( d) d( fis) } \repeat unfold 2 { gis16( eis) eis( gis) } |
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\repeat unfold 4 { a16( fis) fis( a) } |
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\repeat unfold 2 { a16( d,) d( a') } \repeat unfold 2 { b16( f) f( b) } |
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\repeat unfold 2 { b16( f) f( b) } b16( g) g( b) a16( f) f( a) |
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}
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}\\ \new Dynamics { s1\pp | s2 s2\< | s1\! | s2\< s\f | } %Partitur
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>>
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\time 3/2
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b4( f2) b8(\p f b f b f) |%70
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a f4 a8~ a f4 a8~ a f4 a8~ |
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\noBreak
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a a(\cresc c\! a) r g( b g~ g) g( b g) |
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g( a) a( fis!)~ fis fis4 a8~ a a( c a) |
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\noBreak
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\set Timing.beamExceptions = #'()
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\set Timing.baseMoment = #(ly:make-moment 1/4)
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\set Timing.beatStructure = #'(1 1 1 1 1 1)
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a8[( h) h( gis!)] << { \oneVoice
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\tag #'percent {
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\repeat percent 2 { gis16( h) h( gis) } \repeat percent 2 { a16( h) h( a) } |
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\repeat percent 2 { a16( h) h( a) } gis16([ h) h( gis)] %~
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gis'16( e) e( gis) e16([ h) h( e)] h16( gis) gis( h) | %75
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\repeat percent 6 { e,16( fis) fis( e) } |
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}
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\tag #'unfold {
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\repeat unfold 2 { gis16( h) h( gis) } \repeat unfold 2 { a16( h) h( a) } |
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\repeat unfold 2 { a16( h) h( a) } gis16([ h) h( gis)] %~
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gis'16( e) e( gis) e16([ h) h( e)] h16( gis) gis( h) | %75
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\repeat unfold 6 { e,16( fis) fis( e) } |
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}
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\repeat tremolo 4 { fis16( d) } \repeat tremolo 4 { e16( cis) } \repeat tremolo 4 { e16( cis) } |
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\repeat tremolo 4 { fis16( d) } \repeat tremolo 4 { e16( cis) } \repeat tremolo 4 { e16( cis) } |
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}\\ \new Dynamics { s1\ff | }
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>>
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\mark\default
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\time 4/4
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d4. r8 <cis e>4. r8 |
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<fis a>4. r8 <e a>4. cis'8 | %80 %Partitur Bindung
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cis4 h2 a4 |
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d, <d h'> d <d a'> |
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d g2 fis4 |
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<d h'>8\ff d16 e fis g a h r8 h,16 cis d e fis g | %Partitur Dynamik
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r8 a16 h cis d e fis r8 a,16 h cis d e fis | %85
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r8 a,16 h cis d e fis r8\mf a,,16 h cis d e fis |
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\mark\default
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R1 |
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\tupletSpan 4
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\times 2/3 { r8 h'^\pizz a fis d h \omit TupletNumber a fis d \once\omit TupletBracket h a r } |
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r1 | \undo\omit TupletNumber
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r4 \times 2/3 { a''8 fis d \omit TupletNumber cis a fis d cis a } | %90
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r1 |
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\undo \omit TupletNumber
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\times 2/3 { r8^\arco\mf a a \omit TupletNumber a( a')\< a %~
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\once\omit TupletBracket r a a a( a') a } |
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<a, a'>4(\f b'2) d,4 |
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f2( gis4.) f8 |
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\undo\omit TupletNumber
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e2(\dim cis4\! a) | %95
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\times 2/3 { <d, h'>4.:8\p <d h'>: \omit TupletNumber <d h'>2.:\< } |
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\times 2/3 { <d h'>:\fp <d h'>4.: fisis: } |
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\times 2/3 { gis2.:\f h: } |
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\times 2/3 { h4.: gis,8 a ais h\< cis d e fis gis } |
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a8\! e16 fis gis a h cis h( a) e a h cis d e | %100
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d16( cis) a cis e gis a cis h( a) e cis e a, cis e |
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a1~ |
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a~ |
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a\fermata |
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\bar "|."
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\pageBreak
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}
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globalII = {
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\tempo Allegretto
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\time 3/8
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\key f \major
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\global
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}
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violinII_II = \relative c'' {
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\globalII
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a8[^\pizz r a] |
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b8[ r b] |
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a8[ r f] |
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f8[ r f] |
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f8[ r a] | %5
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g8[ r g] |
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f8[ r f] |
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g8[ r <f a>] |
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<f b>8[ r b] |
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b8[ r b] | %10
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b8[ r d,] |
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es8[ r es] |
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d8[\mf r b'] |
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g8[ r f] |
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f r r | %15
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c\sf r r |
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c4^\arco-- b8~-- |
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b a4-- |
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e'16(\p\< f a g\> f e) |
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c4--\mf b8~-- | %20
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b a4-- |
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e'16(\p\< f a g\> f e) |
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f8[\! r c]~ |
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c8[ r c]~ |
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c8[ r c]~ | %25
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c8[ r c]~ |
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c8 r r |
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c8-- r r |
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c8-- r r |
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R4. | %30
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\mark\default %A
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R4.*7 |
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r8 c(\< e) |
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es4.\mf |
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d8( f d) | %40
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f4.~ |
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f4 d8(\sfp |
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e!)[ r e]( | %Partitur
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f)[ r f]( |
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f)[ r f]( | %45
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e)[ r <g, e'>]^\pizz |
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<a f'>[ r <a f'>] |
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<g e'>[ r <g e'>] |
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<a f'>[ r <a f'>] |
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<g e'> r r | %50
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\mark\default %B
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R4.*3 | %\pageBreak
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%\mark\markup{ "(" \override #'(expand-limit . 2) \multi-measure-rest-by-number #3 ")" }
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r8 r e'(^\arco\p | %Partitur Dynamik
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a4.) | %55
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d,8( g f) |
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e8(\< a\> e) |
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f4\! d16( f) |
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f8(-. f-.\< f)-. |
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f8(-. d-. e)-. | %60
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<c f>8(-.\f <c f>-. <c f>)-. |
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\after 8\> <b f'>4. |
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\rit
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b(\pp\startTextSpan |
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\noBreak
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g4 e'8)\stopTextSpan |
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f8[^\aTempo r a,] | %65
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b8[ r f'] |
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f8[ r c] |
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d8[ r d] |
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c4--\mf b8~-- |
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b a4-- | %70
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e'16(\p\< f a g\> f e) |
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c4\mf b8~ |
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b a4-- |
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\break
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e'4 c8~\pp | %Partitur Dynamik
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\mark\default %C
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c4 c8~ | %75
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c4 c8~ |
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c4 c8~ |
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c4 f8~\< |
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\after 8\! f4\! f8 |
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e4(\> f8) | %80
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e4(\! f8) |
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r8 r b \mf |
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a( g f) |
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f( d f) |
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a(\f b c) | %85
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b[ r b]\p |
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e,(-.\< e-. e-.) |
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f4\sfp f8 |
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f4.( |
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e8)[ r <g, e'>]^\pizz | %90
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<a f'>[ r <a f'>] |
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<g e'>[ r <g e'>] |
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<a f'>[ r <a f'>] |
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<g e'> r r |
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\mark\default %D
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R4.*3 |
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\break
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r8 r e'(^\arco\mf |
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a4.) |
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d,8(\p g f) | %100
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e8(\< a\> e) |
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f4\! d16( f) |
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f8(-. f-.\< f)-. | %Partitur
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f8(-. d-. e)-. |
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<c f>8(-.\f <c f>-. <c f>)-. | %105
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<b f'>4.\> |
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\rit
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b(\pp\startTextSpan |
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g4 e'8)\stopTextSpan |
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f8[^\aTempo r a,] |
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b8[ r f'] | %110
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f8[ r c] |
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d8[ r d] |
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c4--\mf b8~-- |
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b a4-- |
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e'16(\p\< f a g\> f e) | %115
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c4\mf-- b8~-- |
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b a4-- |
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e'4 r8 |
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\mark\default %E
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c'4.~\f |
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\noPageBreak
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c16( h b a g f) | %120
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e16( d c b a g) |
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a'16( g f e d c) |
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f4.-> |
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c4.-> |
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c4.-> | %125
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c4 r8 |
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f'4.~\f-> |
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f16( e! es d c b) |
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a16( g f es d c) | %130
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d'16( c b a g f) |
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e!8(\mf g, e') |
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f8( a, f') |
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f8( d f) |
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<c e>4. |
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<a f'>8[\f r <a f'>] | %135
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<g e'>8[ r <g e'>]\p |
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<a f'>8[ r <a f'>] |
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<g e'>4 r8 |
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\mark\default %F
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dis'8^\pizz r r |
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e8 r r | %140
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R4. |
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r8 r e(^\arco\mf | \noBreak
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a4.) |
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d,8(\p g f) |
|
|
e8(\< a\> e) | %145
|
|
f4\! d16( f) |
|
|
f8(-. f-. f)-. |
|
|
f8(-.\< d-. e)-. |
|
|
<c f>8(-.\f <c f>-. <c f>)-. |
|
|
\after 8\> <b f'>4. | %150
|
|
\rit
|
|
b(\pp\startTextSpan |
|
|
g4 e'8)\stopTextSpan |
|
|
f8[^\aTempo r a,] |
|
|
b8[ r f'] |
|
|
f8[ r c] | %155
|
|
d8[ r d] |
|
|
c4--\mf b8~-- |
|
|
\noBreak
|
|
b a4-- |
|
|
e'16(\p\< f a g\> f e) |
|
|
c4\mf-- b8~-- | %160
|
|
b a4-- |
|
|
e'4 a8(\pp |
|
|
\mark\default %G
|
|
g f e) |
|
|
f( c f) |
|
|
<<
|
|
{
|
|
g8(\< a c) | %165
|
|
a4\!
|
|
} \\ {
|
|
e8( f g) | %165
|
|
c,4
|
|
}
|
|
>>
|
|
f8~\mf |
|
|
f4 f8 |
|
|
<c e>4\> c8( |
|
|
e4)\p c8~ |
|
|
\noBreak
|
|
c16(\< e g b d8)\f | %170
|
|
<< { c8( b a) } \\ { es4. } >> |
|
|
<d b'>8( f b) |
|
|
<< { c8( d f) } \\ { a,8( b c) } >> |
|
|
<f, d'>4 b8(\fp |
|
|
e,!4) e8(\< | %175
|
|
\after 8\> f4) f8\! | %Partitur
|
|
f8( d f) |
|
|
e(-.\< e-. e-.) |
|
|
<f a>\f <f a> <f a> |
|
|
<e c'>(-. <e c'>-. <e c'>)-. | %180
|
|
<f c'>(-.\p <f c'>-. <f c'>)-. |
|
|
<e c'>4 r8 |
|
|
\mark\default %H
|
|
dis4.(\pp |
|
|
e4) r8 |
|
|
R4. | %185
|
|
r8 r e(\mf |
|
|
a4.) |
|
|
d,8(\p g f) |
|
|
e(\< a\> e) |
|
|
f4\! d16( f) | %190
|
|
f8(-.\< f-. f)-. | \noBreak
|
|
f(-. d-. e)-. |
|
|
<c f>(-.\f <c f>-. <c f>)-. |
|
|
<b f'>4.(\>\startTextSpan |
|
|
b4.\pp | %195
|
|
g4 e'8)\stopTextSpan |
|
|
f8[^\aTempo r a,] |
|
|
b8[ r f'] |
|
|
f8[ r c] |
|
|
d8[ r d] | %200
|
|
c4--\p b8~-- |
|
|
b a4-- |
|
|
e'16(\< f a g\> f e) |
|
|
c4\mf-- b8~-- | \noBreak
|
|
b a4-- | %205
|
|
\mark\default %Imark
|
|
e'16(\p\< f a g\> f e) |
|
|
f8[\! r c]~ |
|
|
c8[ r c]~ |
|
|
c8[ r c]~ |
|
|
c8[ r c] | %210
|
|
f(-.\pp f)-. r |
|
|
e(-. e)-. r |
|
|
d(-. d)-. r |
|
|
c(-. c)-. r |
|
|
b(-. b)-. r | %215
|
|
a(-. a)-. r |
|
|
c(-. c)-. r |
|
|
c(-. c)-. r | %Partitur Bindung
|
|
R4.*2 | %220
|
|
<g e'>4.~\fp |
|
|
<g e'>4.~ |
|
|
<g e'>4.~\pp | %Partitur Dynamik
|
|
<g e'>4. |
|
|
R4. | %225
|
|
<c g'>8^\pizz r r |
|
|
<c f> r r |
|
|
f r r |
|
|
R4.^\fermata |
|
|
\bar "|."
|
|
\pageBreak
|
|
}
|
|
|
|
|
|
|
|
globalIII = {
|
|
\tempo "Andante maestoso"
|
|
\time 4/4
|
|
\key c \major
|
|
\global
|
|
\partial 2
|
|
\set Score.currentBarNumber = #2
|
|
}
|
|
|
|
violinII_III = \relative c'' {
|
|
\globalIII
|
|
r2 |
|
|
r4 b,(\p as2~ |
|
|
as) r |
|
|
R1*2 |
|
|
r4 b(\p as2~ | %5
|
|
as) r |
|
|
f':64\pp <g, e'!>: |
|
|
<a f'>:\fp f': |
|
|
c4: c8 r d4(-. e)-. |
|
|
r8 f4(\pp f'8) f4. r8 | %10 %Partitur
|
|
r8 g,4( g'8) g4. r8 |
|
|
r4 f,( f') r |
|
|
r d,2.~ |
|
|
d2 r |
|
|
\mark\default %A
|
|
\key d \major
|
|
\bar "||"
|
|
r2 e~\p | %15
|
|
e4 r fis2~\mf |
|
|
fis4 r a(\f cis) |
|
|
r8 <fis, a>16.[\ff <fis a>32 <fis a>8 <d d'>] <fis a> <d d'> <fis a> <e cis'> | %Partitur 4+ Noten
|
|
<fis d'>8 <fis a>16. <fis a>32 <fis a>8 <d d'> <fis a> <d d'> <fis a> <e cis'> | %Partitur 4+ Noten
|
|
<fis d'>4 r4 r2 | %20
|
|
c2.\p r4 |
|
|
r e( d2~ |
|
|
d) r4 fis\pp |
|
|
e2.( dis4) |
|
|
r4 fis( eis) r | %25
|
|
r4 cis( gis') r |
|
|
r ais( fis2~ |
|
|
fis4) fis2( eis4) |
|
|
fis2. r4 |
|
|
\mark\default %<B
|
|
r8 <dis h'>16.[\f <dis h'>32 <dis h'>8 <dis h'>] <dis h'> <dis h'> <dis h'> <e ais> | %30
|
|
<dis h'>8[ <fis a!>16.\ff <fis a>32 <fis a>8 <d a'>] <fis a> <d d'> <fis a> <e cis'> | %Partitur 2+, 4+ Noten
|
|
<fis d'> <d a' fis'>4( g'8) fis( e) a,4~ |
|
|
a8 fis'( a) g fis( e) a,4 |
|
|
\tempo "Maestoso"
|
|
d,8\ff e16 fis g8 fis16 e fis8 g16 a h8 a16 g | %Partitur Dynamik
|
|
d'8 fis16 e d8 cis16 h a8 e16 g fis8 e16 d | %35
|
|
cis8 cis'16 h a8 gis16 fis e8 d16 cis h8 e |
|
|
a,8 a'16 gis a8 e cis a <fis' a>4 |
|
|
<fis d'>8 d16 e fis8\< g16 a h8 h16 cis d8 e16 fis |
|
|
<h, g'>4\! << { g'2 } \\ { h,4( a) } >> <a fis'>4 | %40
|
|
<h e> d cis d |
|
|
d2( cis4) h |
|
|
a4 r8. <e cis'>16 <e cis'>4 <e cis'> |
|
|
<e cis' a'>4 r\fermata r8 a(\p \slashedGrace c b[ a]) |
|
|
\bar "||"
|
|
%\pageBreak
|
|
}
|
|
|
|
globalIV = {
|
|
\tempo "L'istesso tempo"
|
|
\time 4/4
|
|
\key d \minor
|
|
%\partial 2
|
|
\global
|
|
}
|
|
|
|
violinII_IV = \relative c'' {
|
|
\globalIV
|
|
g8(-. f-. e-. d)-. cis[( e b8.-> a16)] |
|
|
a16(\pp d f e d f b a) gis( a f d cis e b a) |
|
|
a16( d f e d f b a) gis( a f d e g des c!) |
|
|
c16( f a g f a d c) h( c a f e g e c) |
|
|
\override DynamicLineSpanner.staff-padding = #3.6
|
|
b16( a c b a\< d f b)\! a( gis b\> a gis a\! g e) | %5 %Partitur Dynamik
|
|
\mark\default %Amark
|
|
a,16(\pp d f e d f b a) gis( a f d cis e b a) |
|
|
a16( d f e d f b a) gis( a f d e g des c!) |
|
|
c16( f a g f a d! c) h( c a f e g e c) |
|
|
\override DynamicLineSpanner.staff-padding = #3.85
|
|
a16( g' f e a,\< d f b) a(\! b a\> gis a g\! f e) |
|
|
a,2\p r4 a | %10 %Partitur Dynamik
|
|
\revert DynamicLineSpanner.staff-padding
|
|
\after 4\< b2 c |
|
|
d16(\f g b a g b es d) cis( d b g) d4 |
|
|
<g, es'>1:64\fpp |
|
|
d': |
|
|
\rit
|
|
d8\startTextSpan r8 r4 cis8 r r4\stopTextSpan | %15
|
|
\mark\default %Bmark
|
|
d4^\aTempo r8 d-. fis4-. r8 fis-. |
|
|
g4-. r8 g-.\> g4( fis) |
|
|
g,\pp r g'( fis) |
|
|
g d8.(\< b'16) b4(\> es,) |
|
|
d4.\! r8 r4 c8 r | %20
|
|
<g es'>4 r r g' |
|
|
c,\pp c r c |
|
|
r c(\< es2)\> |
|
|
a,2(\! b4\< c) |
|
|
b\sf r4 <c es>\p r | %25
|
|
b(\< d) <d b'>-.\sf r |
|
|
\mark\default %Cmark
|
|
r16 e(\pp cis a gis a cis e) r f( d a) r fis'( dis a) |
|
|
r16 e'( g b) r b(\f\> cis g') r a,( cis f) r a,( cis e) |
|
|
a,,16(\pp d f e d f b a) gis( a f d cis e b a) | %Partitur Dynamik 3 Tonhöhe
|
|
a16( d f e d f b a) gis( a f d e g des c!) | %30
|
|
c16( f a g f a d! c) h( c a f e g e c) |
|
|
a16( g' f e a, d f b! a8) r cis,4\< |
|
|
c!16\f c c r r4 r2 |
|
|
<b d>1\p\< |
|
|
<a d>4\! r r2 | %35
|
|
\tag #'original { R1*2 | }
|
|
\tag #'stichnoten {
|
|
R1 |
|
|
<< { R1 } \\ \new CueVoice { \set instrumentCueName = "Vl1" a8[-. a-. r a-.] a8[-. a-. r a-.] | } >>
|
|
}
|
|
g8[-.\pp g-. r g-.] h8[-. h-. r h-.] |
|
|
a8[-. a-. r a-.] a2( |
|
|
h d)~ | %40 %Partitur Bindung
|
|
d1~ |
|
|
d~ |
|
|
d |
|
|
\bar "|."
|
|
\pageBreak
|
|
}
|
|
|
|
|
|
globalV = {
|
|
\tempo "Molto andante"
|
|
\time 3/4
|
|
\key f \major
|
|
%\partial 2
|
|
\tupletSpan 4
|
|
\global
|
|
}
|
|
|
|
violinII_V = \relative c'' {
|
|
\globalV
|
|
R2. |
|
|
e,2\p e4 |
|
|
f2 f4 |
|
|
c2 c4~ |
|
|
c a( c) |
|
|
e( c f) | %5
|
|
e( c e) |
|
|
f( c f) |
|
|
r c(\mf f) |
|
|
r c( e) |
|
|
r c( f) | %10
|
|
r c(\< e) | %Partitur 4 Tonhöhe
|
|
c'(\f b8 a g a) |
|
|
<d, b'>2 r4 |
|
|
\mark\default %Amark
|
|
R2.*2 | %15
|
|
<d h' g'>4\f^\pizz r r |
|
|
r g2~^\arco |
|
|
g2 r4 |
|
|
r a2~ |
|
|
\noBreak
|
|
a r4 | %20
|
|
a2.\> |
|
|
gis2(\! g4) |
|
|
fis2(\p f4) |
|
|
e2.( |
|
|
\mark\default %Bmark
|
|
c2) r4 | %25
|
|
R2. |
|
|
r4 d\mf-- e-- |
|
|
f( a g) |
|
|
e(\< a\f g) | %Partitur 1 Tonhöhe
|
|
f( e f) | %30
|
|
c8 e4\p e e8 |
|
|
d2 <g, g'>4 |
|
|
c( e g) |
|
|
g( d\< <g, g'>) | %Partitur Dynamik
|
|
g'8\f g,4( c8 e gis) | %35
|
|
a( g) \times 2/3 { a(-. h-. c)-. d(-. e-. f)-. } |
|
|
g!4( g,8 a) h( c) |
|
|
c( e,4) c8(\p e a) |
|
|
a2( d,4) |
|
|
<< { \oneVoice e2\pp e4(\< | %40
|
|
f2.)\> |
|
|
e2\! r4 | } \\ { s4 s s } >>
|
|
e2 e4 |
|
|
f2\< f4 |
|
|
c2\!-> r4 | %45
|
|
\mark\default %Cmark
|
|
f'2(\p a,8. f'16) |
|
|
e2( f4) |
|
|
e4\<-- e4-- e4-- |
|
|
f2.\p |
|
|
R2.*2 | %51
|
|
r4 c8^\pizz r a r |
|
|
es[ r f] r d4~(\p^\arco | %Partitur Dynamik
|
|
d e!) g~( |
|
|
g f) f~\f | %55
|
|
f2 f4 |
|
|
e( f g) |
|
|
f( b a) |
|
|
g( d e) |
|
|
f( b a) | %60
|
|
<e g>(\> <f a> <g b>) |
|
|
f2.\p^\aTempo |
|
|
e4( f e) |
|
|
f2.\pp |
|
|
c4-. r r |
|
|
f'2(\pp a,8. f'16) | %65
|
|
f2( a,8. f'16) |
|
|
\mark\default %Dmark
|
|
f2.~ |
|
|
f4 r r |
|
|
R2.*4 | %72
|
|
r4 c,(\mf f) | %Partitur Dynamik
|
|
r4 c( e) |
|
|
r4 c( f) | %75
|
|
r4 c(\< e) |
|
|
c'(\f b8 a g a |
|
|
<d, b'>2) r4 |
|
|
R2.*2 | %80
|
|
<d h' g'>4\f^\pizz r r | %Partitur Dynamik
|
|
\mark\default %Emark
|
|
r g2~\p^\arco |
|
|
g r4 |
|
|
r a2~ |
|
|
a r4 | %85
|
|
a2.\< |
|
|
gis2(\f g4) |
|
|
fis2( f4) |
|
|
e2.( |
|
|
c2) r4 | %90
|
|
R2. |
|
|
r4 d--\mf e-- |
|
|
f( a g) |
|
|
e(\< a\f g) | %Partitur Dynamik
|
|
f( e f) | %95
|
|
c8 e4\p e e8 |
|
|
d2 <g, g'>4 |
|
|
c( e g) |
|
|
g( d\< <g, g'>) | %Partitur Dynamik
|
|
g'8\f g,4( c8 e gis) | %100
|
|
a( gis) \times 2/3 { a(-. h-. c)-. d(-. e-. f)-. } |
|
|
g4( g,8 a) h( c) |
|
|
c( e,4) c8(\p e a) |
|
|
a2( d,4) |
|
|
e2\pp e4(\< | %105
|
|
f2.)\> |
|
|
e2\! r4 |
|
|
e2 e4 |
|
|
f2\< f4 |
|
|
c2\> r4 | %110
|
|
\mark\default %Fmark
|
|
f'2(\p a,8. f'16) |
|
|
e2( f4) |
|
|
e--\< e-- e-- |
|
|
f2.\p |
|
|
R2.*2 | %116
|
|
r4 c8^\pizz r a r |
|
|
es r f r d4~(\p^\arco |
|
|
d e!) g~( |
|
|
g f) f~\f | %120
|
|
f2 f4 |
|
|
e( f g) |
|
|
f( b a) |
|
|
g( d e) |
|
|
f( b a) | %125
|
|
<e g>(\> <f a> <g b>) |
|
|
f2.\p^\aTempo |
|
|
e4( f e) |
|
|
f2.\pp |
|
|
c4-. r r | %130
|
|
f'2( a,8. f'16) |
|
|
f2.~ |
|
|
f2 r4 |
|
|
R2.*2 | %135
|
|
a,,4\pp^\pizz r r |
|
|
a r r\fermata |
|
|
\bar "|."
|
|
%\pageBreak
|
|
}
|
|
|
|
globalVI = {
|
|
\time 2/4
|
|
\key a \minor
|
|
\global
|
|
\tupletSpan 8
|
|
\set Timing.beamExceptions = #'()
|
|
\set Timing.baseMoment = #(ly:make-moment 1/2)
|
|
\set Timing.beatStructure = #'(1)
|
|
}
|
|
|
|
violinII_VI = \relative c'' {
|
|
\globalVI
|
|
\tempo "Allegro"
|
|
\partial 8
|
|
r8 |
|
|
R2*3 |
|
|
\omit TupletBracket
|
|
r4 r8 \times 2/3 { g,16\p g g } | %5
|
|
\times 2/3 { c[ c \set stemRightBeamCount = #1 c %~
|
|
\set stemLeftBeamCount = #1 d d d] %~
|
|
e\sf e \set stemRightBeamCount = #1 e %~
|
|
\set stemLeftBeamCount = #1 h h h } |
|
|
\times 2/3 { c8.:16 e: a:\sf g: } |
|
|
\omit TupletNumber \undo\omit TupletBracket
|
|
\times 2/3 { c:\sf g: h:\sf g: } |
|
|
\times 2/3 { a: f: g: gis: } |
|
|
\times 2/3 { a:\sf e: g!:\sf e: } | %10
|
|
\times 2/3 { f: d: e: gis: } |
|
|
\times 2/3 { a:\< h: c: dis: } |
|
|
\times 2/3 { <h e>4.:\sf <h e>8.: gis: } |
|
|
\times 2/3 { a:\< h: c: dis: } |
|
|
\times 2/3 { <h e>4.:\sf } <h e>8-. e,-. | %15
|
|
\mark\default %Amark
|
|
\times 2/3 { a,8.:\f c: e: a: } |
|
|
c8 r r4 |
|
|
\undo\omit TupletNumber
|
|
r8 \times 2/3 { f,16( g a) } r8 \times 2/3 { f16( g a) } |
|
|
\omit TupletNumber
|
|
r8 \times 2/3 { a16( h c) } r8 \times 2/3 { a16( h c) } |
|
|
r8 \times 2/3 { d,16(\p\> e f) } r8\! \times 2/3 { d16(\> e f) } | %20
|
|
\undo\omit TupletNumber
|
|
r8\! <d f>4 <d f>8 |
|
|
r <h d>4 <h d>8 |
|
|
r c4 \times 2/3 { e16 e e } |
|
|
\omit TupletNumber
|
|
\times 2/3 { a8.: h: c:\sf gis: } |
|
|
\times 2/3 { a: c: f:\sf e: } | %25
|
|
\times 2/3 { a:\sf e: g:\sf e: } |
|
|
\times 2/3 { f: d: } e8[-. gis,]-. |
|
|
\undo\omit TupletNumber
|
|
a(\p e c a') |
|
|
gis( e h gis') |
|
|
a( e c a') | %30
|
|
h(\< g d h') |
|
|
c(\f a f c') |
|
|
c( e,) e( a) |
|
|
gis(\dim e h gis') |
|
|
fis( dis h fis') | %35
|
|
gis([\p e] h) \times 2/3 { g'16[ g g] } |
|
|
\omit TupletNumber
|
|
\times 2/3 { a8.:16\< h: c: dis: } |
|
|
\times 2/3 { <h e>4.:\sf <h e>8.: gis: } |
|
|
\times 2/3 { a8.:\< h: c: dis: } | %Partitur Dynamik
|
|
e4\sf r | %40
|
|
\undo\omit TupletNumber
|
|
\mark\default %Bmark
|
|
<c, a'>^\pizz r |
|
|
<g g'> r |
|
|
<e' c'> r |
|
|
<e h'> r |
|
|
<e e'>\sf r | %45 %Partitur Dynamik
|
|
<e d'> <e c'> |
|
|
<e h'> r |
|
|
<e h'> r |
|
|
<e c'> r |
|
|
<b e> r | %50
|
|
<e c'> r |
|
|
<e cis'> r |
|
|
<e cis'> r |
|
|
<g e'> r |
|
|
<e cis'> r | %55
|
|
<e cis'> c' |
|
|
<e, h'> r |
|
|
<e h'> r |
|
|
<fis h> r |
|
|
<fis h> r | %60
|
|
<e h'>\p^\arco r8 a-. |
|
|
gis4 r8 c-. |
|
|
h4 r8 c-. |
|
|
h4-. r |
|
|
\mark\default %Cmark
|
|
R2*2 | %66
|
|
\pageBreak
|
|
\tag #'instrument { \tempo \markup{ \parenthesize { \override #'(expand-limit . 1) \multi-measure-rest-by-number #2 } } }
|
|
r4 r8 f-.\mf |
|
|
e-. d-. c-. h-. |
|
|
a c' g h |
|
|
f a e g |%70
|
|
c, e f f |
|
|
f(\> e d cis) |
|
|
d4\! r |
|
|
R2 |
|
|
<d f a>4^\pizz r | %75
|
|
R2 |
|
|
<f a f'>4 r |
|
|
<f a f'>4 r |
|
|
<f a f'>4 r |
|
|
<f c'>4 e | %80
|
|
\tupletSpan 4
|
|
<f a> \times 2/3 { r8 c'(\>^\arco b) } |
|
|
\times 2/3 { a([ g f]\! e g f) } | %Partitur Dynamik
|
|
\times 2/3 { e(\! d c) } f4~ |
|
|
f c'~ |
|
|
c r | %85
|
|
\times 2/3 { f,8[ f f] as as as } |
|
|
\times 2/3 { f4.:8 as: } |
|
|
\omit TupletNumber
|
|
\times 2/3 { c,: as': } |
|
|
\times 2/3 { as: des: } |
|
|
\times 2/3 { des,:\< f: } | %90
|
|
\times 2/3 { <a! f'>:\f <a f'>: } |
|
|
\undo\omit TupletNumber
|
|
<e c'>2\dim |
|
|
<f c'>4 \times 2/3 { r8 c'(\> b) } |
|
|
\times 2/3 { a([ g f]\! e g f) } |
|
|
\omit TupletNumber
|
|
\times 2/3 { e( d c) } f4~ | %95
|
|
f c'~ |
|
|
c r |
|
|
\mark\default %Dmark
|
|
a8( f c a') |
|
|
a(\< f d a') |
|
|
d(\f gis, f d') | %100
|
|
c( e,) e( c') |
|
|
<e, c'>4-.\sf r |
|
|
r8 g,( c e) |
|
|
<g, f'>2 |
|
|
r4 g' | %105
|
|
c8( g e c') |
|
|
\times 2/3 { <c, e>4.:8\p\< <c e>: } |
|
|
\noBreak
|
|
e'8(\f c e, e') |
|
|
\undo\omit TupletNumber
|
|
\times 2/3 { c,[\< d e] f g a } |
|
|
c8[\ff r16 e] e4~ | %110
|
|
e2~ |
|
|
e4 e,~-> |
|
|
e8 d-. c-. h-. |
|
|
\mark\default %Emark
|
|
a4 r |
|
|
R2 | %115
|
|
\break
|
|
r4 r8 f'-.\mf |
|
|
\noBreak
|
|
e-. d-. c-. h-. |
|
|
a c' g h |
|
|
f a e g |
|
|
\tupletSpan 8
|
|
\times 2/3 { d8.:16\f\< f: a: d: } | %120
|
|
\noBreak
|
|
\omit TupletNumber
|
|
\times 2/3 { f:\> d: a: f: } |
|
|
d8-.\! f-. c-. e-. |
|
|
b d a c |
|
|
f a, b d |
|
|
f e f d | %125
|
|
b d f a |
|
|
b4-. <d, b'>-. |
|
|
<d d'>8(\ff h'! gis) gis'~( | %Partitur Dynamik
|
|
gis d h) h'~( | %130
|
|
h gis d) h'~( |
|
|
h gis d) h'~ |
|
|
\mark\default %Fmark
|
|
\key a \major
|
|
\time 4/4
|
|
\tempo "L'istesso tempo"
|
|
\section
|
|
\undo\omit TupletNumber
|
|
\tupletSpan 4
|
|
h4 r r2 |
|
|
r4 a,2(\p gis4) |
|
|
cis8( a e dis fis e cis a) | %135
|
|
gis( h d dis e fis \times 2/3 { gis8 fis e) } |
|
|
e( dis fis e gis e \times 2/3 { a8 h cis) } |
|
|
e8( dis d cis d h gis d) |
|
|
cis( e cis' h a gis \times 2/3 { a8 fis e) } |
|
|
dis( fis dis' cis h a \times 2/3 { gis8 a fis) } | %140
|
|
e8(\< gis h e gis dis e h) |
|
|
gis8(\! cis h gis h\p ais a fis) |
|
|
e4 r8 h \times 2/3 { h8\< cis dis e fis gis } |
|
|
\omit TupletNumber
|
|
h4\! r8 e,\f \times 2/3 { e8\< fis gis a h c } |
|
|
\mark\default %Gmark
|
|
\globalVI
|
|
\section
|
|
e4\! r | %145
|
|
r8. e16\ff e4~ | %Partitur Dynamik
|
|
e e,~-> |
|
|
e8 d-. c-. h-. |
|
|
a4 r |
|
|
R2 | %150
|
|
\break
|
|
r4 r8 f'-.\mf | %Partitur Dynamik
|
|
e-. d-. c-. h-. |
|
|
a c' g h |
|
|
f a e g |
|
|
\undo\omit TupletNumber
|
|
\times 2/3 { d8.:16\f\< f: a: d: } | %155
|
|
\omit TupletNumber
|
|
\times 2/3 { f:\> d: a: f: } |
|
|
d8-.\! f-. c-. e-. |
|
|
b d a c |
|
|
c( a b d) |
|
|
f(\< d f b) | %160
|
|
b(\f des, f b |
|
|
des a! c b) |
|
|
as( c,\dim f as |
|
|
c g b as) |
|
|
r c,( f as |
|
|
c g b as) |
|
|
g4 r8 g |
|
|
\undo\omit TupletNumber
|
|
\tupletSpan 4
|
|
\times 2/3 { <h, g'>4.:8\< \omit TupletNumber <a fis'>: } |
|
|
<h g'>4.\! g'8 |
|
|
\undo\omit TupletNumber
|
|
\tupletSpan 4
|
|
\times 2/3 { g8[-. a-. h]-. \omit TupletNumber c-. d-. es-. } |
|
|
g8-> h,-> d-> g,-> |
|
|
R2 |
|
|
\mark\default %Hmark
|
|
R2 |
|
|
d4(\pp c |
|
|
h2)~ |
|
|
h4 h |
|
|
c-. as-. |
|
|
g-. as-. |
|
|
g( c8)[ r16 es]-. |
|
|
g4-. c,-. |
|
|
c2(\p |
|
|
es4.-> des8) |
|
|
c2( |
|
|
ges'4.-> es8) |
|
|
fes4( des |
|
|
fes4.-> es8) |
|
|
as,4( des8)[ r16 fes] |
|
|
as2\< |
|
|
\undo\omit TupletNumber
|
|
\times 2/3 { r8\! cis,([\f his] cis dis e)} |
|
|
\omit TupletNumber\omit TupletBracket
|
|
\times 2/3 { r8 cis([ his] cis dis e)} |
|
|
\undo\omit TupletNumber
|
|
dis2~\sf |
|
|
\times 2/3 { dis8 <h dis> <h dis> <h dis>4.:8 } |
|
|
<h e>2~ |
|
|
<h e>~ |
|
|
<h e>8 r <h' e>4:32\p\< |
|
|
<h e>: <h e>: |
|
|
<h e>8-.\ff r r4 |
|
|
R2*3 |
|
|
%\pageBreak
|
|
\mark\default %Imark
|
|
<c, a'>4^\pizz %Partitur Notenlänge und Staccato
|
|
%^\markup{ "(" \override #'(expand-limit . 2) \multi-measure-rest-by-number #3 ")" }
|
|
r |
|
|
<g g'> r |
|
|
<e' c'> r |
|
|
<e h'> r |
|
|
<e e'>\sf r |
|
|
<e d'> <e c'> |
|
|
<e h'> r |
|
|
<e h'> r |
|
|
<b e> r |
|
|
<e c'> r |
|
|
<e c'> r |
|
|
<e cis'> r |
|
|
<e cis'> r |
|
|
<g e'>\sf r8 <fis d'> |
|
|
<e cis'>4 r |
|
|
<< { cis'4(^\arco c) } \\ { e,2 } \\ { s4\< s8 s16 s\! } >> |
|
|
\mark\default %Jmark
|
|
\tempo "L'istesso tempo"
|
|
\bar "||"
|
|
\key a \major
|
|
\time 4/4
|
|
<h' gis'>8(\f dis fis e)~ e( ais, cis h)~ |
|
|
h8( eis, gis fis) e( cis dis8. e16) |
|
|
e4 r8 e( \times 2/3 { dis\< e gis h e fis) } |
|
|
gis8(\! e h gis) \times 2/3 { h(\< dis e gis cis h) } |
|
|
\omit TupletNumber
|
|
h8(\! gis eis h) \times 2/3 { eis( gis h h, cis d!) } |
|
|
\rit
|
|
d8(\startTextSpan ais\dim h cis d) e-- fis-- gis--\stopTextSpan |
|
|
\mark\default %Kmark
|
|
\undo\omit TupletNumber
|
|
\tempo "poco meno mosso"
|
|
a4\pp^\dolce e,8( dis fis e cis a) |
|
|
gis( h d dis e eis \times 2/3 { gis fis e) } |
|
|
e( dis fis e gis e\< \times 2/3 { a h cis) } |
|
|
e(\> dis d cis\! d h gis d!) |
|
|
cis( d \times 2/3 { e fis g) } g( a h cis) |
|
|
cis( e d gis,! h a fis d) |
|
|
g!( fis g e cis a4.)~ | |
|
|
a2 r |
|
|
r4 <fis' d'>2.\sf |
|
|
r4 <fis dis'>2.\sf |
|
|
<cis' e>4\ff a2 a4~^^ |
|
|
a gis2\dim^^ fis4~^^ |
|
|
fis\p e2 dis4~ | %Partitur Dynamik
|
|
dis\startTextSpan d2 <d e>4\stopTextSpan |
|
|
\break
|
|
\tempo "Animato"
|
|
\undo\omit TupletNumber
|
|
a'8( e cis' e) \times 2/3 { e\< fis gis a h cis } |
|
|
e8(\f cis a e) \times 2/3 { a, h cis cis e a } |
|
|
<cis, a'>4 r8. <cis e>16 <cis e>4 <cis e> |
|
|
a, r8. <cis' e>16 <cis e>4 <cis e> |
|
|
a,1\fermata |
|
|
\bar "|."
|
|
\pageBreak
|
|
}
|
|
|
|
globalVII = {
|
|
\tempo "Adagio non troppo"
|
|
\time 3/4
|
|
\key d \major
|
|
%\partial 2
|
|
\global
|
|
}
|
|
|
|
violinII_VII = \relative c'' {
|
|
\globalVII
|
|
R2.*3 |
|
|
r4 r8 d,8~(\p d16 cis h cis) |
|
|
a4 r r | %5
|
|
R2. |
|
|
\mark\default %Amark
|
|
a8[\p r h] r r h |
|
|
cis8[ r d] r r a-. |
|
|
a4( fis')-.\mf e8.( cis16) | %Laut Partitur \mf auf 2
|
|
d4( fis4.) fis8\p | %10
|
|
e4 r r |
|
|
<cis e>4\p r r |
|
|
r r8 e-.\< e([ gis]) |
|
|
<e a>4--\! gis-- a-- |
|
|
<e ais>8.( <d h'>16) <d h'>4 c'16(\< d e fis) | %15 %Partitur Bindung
|
|
r8\! g16(\f fis) r8 fis16( e) r8\dim e16( d) |
|
|
r8 d16( cis) r8 cis16( h) h( a) a( g) |
|
|
fis(\p d fis a) r d,( fis h) r fis( a cis) |
|
|
e8( g, fis4) g8( e) | %20
|
|
d4 << { a'2 } \\ { fis4\< e | \oneVoice
|
|
<dis a'>2\sf fis4\p | } >> %Partitur Tonhöhe
|
|
\mark\default %Bmark
|
|
h,( e h) |
|
|
d( c\< cis) |
|
|
d4(\mf g,) r | %25
|
|
e'2. |
|
|
<g a>4 r <g a> |
|
|
\override DynamicLineSpanner.staff-padding = #5.5
|
|
<f a> a,(\< d) |
|
|
f\f b,2\> |
|
|
g8(-. c-.\p c-. c-. c-. c-.) | %Partitur Dynamik
|
|
\revert DynamicLineSpanner.staff-padding
|
|
<c f>(-. <c f>)-. r4 c | %30
|
|
c4.( g'8) g( f16 e) |
|
|
d8(-. d-. d-.\pp d-. d-. d-.) |
|
|
d( h4) h8(-. h[-. d])-. |
|
|
d4.( a'8) a(\< g16 fis) | %35
|
|
e8(-.\! e-. e-. e-. e-. e)-. |
|
|
e[-.\mf e-. r cis\p r e]( |
|
|
f)[ f r f r e]\mf |
|
|
e[ cis' r e,\p r e] |
|
|
d[( d') r\< <d, d'> r <d d'>] | %40
|
|
c'(\f c,) e'( e,) d'( d,) |
|
|
f f4(\> a c8) |
|
|
d(\mf d,4 b'8)\< b( d) |
|
|
\times 2/3 { d8--\! c-- d-- } c( c,) b( b') | %Partitur kein cis
|
|
\times 2/3 { b8( a b) } a4-- g-- | %45
|
|
<a, e'> a(\p b) |
|
|
d( cis\< d) | %Partitur Dynamik
|
|
f(\! e f) |
|
|
\rit
|
|
<es b'>2.\ff\startTextSpan |
|
|
cis2\pp r4\stopTextSpan | %50
|
|
\mark\default %Cmark
|
|
a8[^\aTempo r h] r r h |
|
|
cis8[ r d] r r a-. |
|
|
a(\< d fis4) e8.(\! cis16) |
|
|
d4( fis4.) fis8\p |
|
|
e4 r r | %55
|
|
<cis e>4-. r r |
|
|
r r r8 <d h'>-. |
|
|
cis4( d cis) |
|
|
h8( cis a4.)\< e'8 |
|
|
g4(-.\f fis-. e)-. | %60
|
|
d8( e cis4) <cis e>\p |
|
|
<c d>8[ r <c d> r <c d>] r |
|
|
<h d>4(\mf g) r8 g'\p |
|
|
g4(\< h2)\> |
|
|
R2.\! | %65
|
|
h,4(\p b2)~\< | %Partitur Dynamik
|
|
b4 b(\> \after 4\! a) | %Partitur Dynamik
|
|
\tempo "Piu animato"
|
|
<< { b'4_\marc a } \\ { d,2 } >> gis4 |
|
|
g! fis f | %70
|
|
fis! fis <d d'>8.\f <d d'>16 |
|
|
<d d'>2 <fis a>4-. |
|
|
<e h'>2 a8( g) |
|
|
<fis a>4-- <e a>-- r8\fermata <cis e>-. |
|
|
\mark\default
|
|
<a d>4. r8 r4 | %75
|
|
R2.*2 |
|
|
r4 r8 d8~(\p d16 cis h cis) |
|
|
a4 r r |
|
|
R2. | %80
|
|
r4 fis'(\pp g)~ |
|
|
g( fis e) |
|
|
fis2.~ |
|
|
fis\fermata |
|
|
\bar "|."
|
|
}
|
|
|
|
globalVIII = {
|
|
\time 4/4
|
|
\key des \major
|
|
%\partial 2
|
|
\global
|
|
}
|
|
|
|
violinII_VIII = \relative c'' {
|
|
\globalVIII
|
|
\tempo "Moderato"
|
|
R1*4 |
|
|
f,4.\pp^\ten r8 ges4. r8 | %5
|
|
f4. r8 es4. r8 |
|
|
des4. r8 des4. r8 |
|
|
des4. r8 r2 |
|
|
\mark\default %Amark
|
|
R1*3 |
|
|
\break
|
|
r2 r4 ges\pp |
|
|
f4. r8 ges4. r8 |
|
|
f4. r8 ges4. r8 |
|
|
f4. r8 es4. r8 | %15
|
|
des4. r8 des4. r8 |
|
|
des4. r8 r2 |
|
|
\break
|
|
r4 d(\p es b) |
|
|
as4. r8 as4. r8 |
|
|
as4. r8 r2 | %20
|
|
R1*2 |
|
|
r2 f'8^\pizz r r4 |
|
|
r c8 r es r r4 | %Partitur Tonhöhe
|
|
R1*2 | %26
|
|
f4\pp^\arco r as r |
|
|
r2 a\sfp |
|
|
b4( des8 a) a2\sfp |
|
|
des,4:64\pp des8 r des4: des8 r | %30
|
|
des4:64\cresc des8 r a'4: g8 r |
|
|
\mark\default %Bmark
|
|
\key d \major
|
|
\bar "||"
|
|
<fis a>4:64\f <fis a>8 r <d h'>4: <d h'>8 r |
|
|
\tempo "Maestoso"
|
|
<fis d'>2. fis'8. a16 |
|
|
d4 <d,, a' fis'>-. <d h' g'>-. <d h' g'>-. |
|
|
<d a' fis'>-. <d a' fis'>-. <d h' g'>-. <d h' g'>-. | %35
|
|
<d a' fis'>-. r fis'2(\pp |
|
|
g) g |
|
|
fis( a) |
|
|
d,( g) |
|
|
fis4. r8 fis2( | %40
|
|
a fis) |
|
|
e( cis4 d8 cis) |
|
|
a2( h) |
|
|
<h d>:\sfpp <h d>8 r fis4(~ |
|
|
fis2. ais4) | %45
|
|
\tempo "poco animato"
|
|
gis( eis gis eis) |
|
|
\tag #'percent { \repeat percent 3 { a( fis a fis) | }}
|
|
\tag #'unfold { \repeat unfold 3 { a( fis a fis) | }}
|
|
g(\pp e g e) | %50
|
|
d2(\< f4\> d)~ |
|
|
d\! cis8 d <g, e'>2 |
|
|
\rit
|
|
r4\startTextSpan g'(-. fis-. e)-.\stopTextSpan |
|
|
\mark\default %Cmark
|
|
\tempo "Tempo I"
|
|
d( a e' g) | %Partitur Tonhöhe
|
|
fis( a, cis h) | %55
|
|
\override DynamicLineSpanner.staff-padding = #3.5
|
|
a4(\< fis'2 d'4)~ | %Partitur Dynamik
|
|
d(\! cis8\> h b4 a8 g) |
|
|
fis4.\pp r8 g4. r8 |
|
|
\revert DynamicLineSpanner.staff-padding
|
|
fis4. r8 e4. r8 |
|
|
d4. r8 d4. r8 | %60
|
|
d4. r8 r2 |
|
|
d4.\p r8 r2 | %Partitur Dynamik
|
|
r8 <h d>(-.[ r <h d>-. r d-. r dis-.]) |
|
|
e4-- r d!-- r |
|
|
r8 fis(-.[ r fis-. r fis-. r fis-.]) | %65
|
|
e4 r c r |
|
|
r8 d(-.[ r d-. r fis-. r fis-.]) |
|
|
g1\pp |
|
|
fis8[ fis r fis](-. r a[-. r a])-. |
|
|
a1\< | %70
|
|
gis8[->\! gis\pp r gis]-. r gis[-. r gis]-. |
|
|
fis2. r4 |
|
|
\mark\default %Dmark
|
|
\globalVIII
|
|
\bar "||"
|
|
ges8[->\pp ges r ges] r ges[ r ges] |
|
|
f8[ f r f] r f[\< r f] | %Partitur Dynamik
|
|
ges8[\! ges r ges]( f)[ f r f]( | %75
|
|
\noBreak
|
|
ges8)[\>\startTextSpan ges r ges] r\! ges([-. r ges])-.\stopTextSpan |
|
|
\tempo "Meno mosso"
|
|
f4.\pp r8 ges4. r8 | %Partitur Dynamik
|
|
f4. r8 es4 r8 es |
|
|
des4. r8 <des b'>4. r8 |
|
|
<des b'>4. r8 r2 | %80
|
|
\moltoRit
|
|
r2\fermata des2\pp\startTextSpan |
|
|
c1\stopTextSpan |
|
|
\mark\default
|
|
des4(^\aTempo as des ges) |
|
|
f4( as, c b) |
|
|
as f'2\< des'4(~ | %85
|
|
des\f c8\> b heses4 as8 ges) |
|
|
f4-.\! <f des'>2.\mf |
|
|
<ges des'>4(\< c des ges) |
|
|
f-.\! as,2(\ff a4) | %Partitur Dynamik
|
|
b( des ges4..) f16 | %90
|
|
f2 des4.( des'8) |
|
|
des2 des,4.( des'8) |
|
|
des4-. r r2 |
|
|
r2 des,,8^\pizz r r4 |
|
|
des8 r r4 r2\fermata |
|
|
\bar "|."
|
|
\pageBreak
|
|
}
|
|
|
|
globalIX = {
|
|
\tempo "Moderato"
|
|
\time 4/4
|
|
\key a \major
|
|
%\partial 2
|
|
\global
|
|
\tupletSpan 8
|
|
}
|
|
|
|
violinII_IX = \relative c'' {
|
|
\globalIX
|
|
R1 |
|
|
r2 a,(\pp |
|
|
a) b( |
|
|
a h! |
|
|
e) e(\cresc | %5
|
|
dis d) |
|
|
cis8\f \times 2/3 { a'16 a a cis cis \set stemRightBeamCount = #1 cis %~
|
|
\set stemLeftBeamCount = #1 e e e %~
|
|
fis8.:16 gis: a: h: } | \omit TupletNumber %Partitur Dynamik Tonlänge
|
|
\times 2/3 { e:16 a,,: cis: e: fis: gis: a: h: } |
|
|
e4 \times 2/3 { fis,,8.:16 gis: a: cis: e: a: } |
|
|
\times 2/3 { gis:16 e,: fis: gis: a: cis: e: a: } | %10
|
|
<h, gis'>2 r8 h,16( cis d e fis gis) |
|
|
a8-. e16([ fis] gis a h cis) r8 a16( h cis d e fis) |
|
|
r8 h,,16([ cis] d e fis gis) r8 dis16( e fis gis a h) |
|
|
r8 e,16([ fis] gis a h cis) r8 a16( h cis d e fis) | %15
|
|
r8 h,,16([ cis] d e fis gis) r8 dis16( e fis gis a h) |
|
|
r8 e,16([ fis] gis a h cis) r8 a,16( h cis d! e fis) |
|
|
gis2. r4 |
|
|
\mark\default %Amark
|
|
R1 |
|
|
\break
|
|
r2 r4 r8 gis,\p | %20 %Partitur Tonlänge
|
|
a2 <a dis> |
|
|
d!2. r4 |
|
|
d4(\< cis8 h ais4.) cis'8 |
|
|
fis,2(\! e4.) e8\p |
|
|
fis4( h, fis' e) | %25
|
|
\mark\default %Bmark
|
|
r2 r4 r8 cis |
|
|
d4( cis h) r |
|
|
<a e'>2 <a dis> |
|
|
d!2. r4 |
|
|
d4(\< cis8 h ais4.) cis'8\f | %30
|
|
fis,( d' cis h) e,4.\p e8 |
|
|
fis4( h, fis' e) |
|
|
e2(\pp d)~ | %Partitur Dynamik
|
|
d cis |
|
|
<cis e>4\< r <cis e>4 r | %35
|
|
e8(\f gis cis e fis4-.) r8 his, | %Partitur 4+ staccato
|
|
cis4-. <e, cis'>-. r <e cis'>-. |
|
|
r <e cis'>-. r r8 cis16 dis |
|
|
e1\sf |
|
|
\mark\default %Cmark
|
|
\tempo "Poco piu allegro"
|
|
R1*5 |
|
|
r4 d'\f cis h | %45
|
|
a^\marc e dis d |
|
|
cis eis fis a |
|
|
h, cis8 dis e! fis gis4 |
|
|
a cis( gis a) | %Partitur Bindung
|
|
e cis8 d e2~ | %50
|
|
e4. cis8 d( h'4) a8 |
|
|
gis fis e d cis( a'4) g8 |
|
|
fis4 d a' gis! |
|
|
a ais h8 a gis fis |
|
|
eis4 cis'8 h a h c4 | %55
|
|
fis,4 a gis h8 a |
|
|
gis4 e dis8 e fis gis |
|
|
e4 h'\ff cis h |
|
|
a a a8 h a4 |
|
|
gis a gis h8 a | %60
|
|
gis2 fis |
|
|
<< { e'2. } \\ { h4 cis h } >> cis8 h |
|
|
ais h cis ais e fis g4 |
|
|
fis4. d'8 fis4 dis8 cis |
|
|
his cis dis his gis a fis gis | %65
|
|
\mark\default %Dmark
|
|
e4 gis'8 e cis4. e8 | %Partitur Tonhöhe
|
|
<a, a'>8( gis' fis e) dis4. <a a'>8\p |
|
|
<a a'>4\< <a a'> <c e>2~\f |
|
|
<c e>4 << { s2. |
|
|
\section
|
|
\time 3/2
|
|
<h gis'!> } \\ { <c e>4\< <c e> <c e> | e,4\f } >>
|
|
e'4-> h-> gis-> | %70
|
|
<fis dis'>2-- <gis e'>-- a4 h8 a |
|
|
\section
|
|
\mark\default % Emark
|
|
\time 4/4
|
|
gis4-. r r2 |
|
|
r4 h,\mf-- ais-- a-- |
|
|
gis his cis e~ |
|
|
e\< d8 cis fis4 d'\f | %75
|
|
cis d cis <d, c'> |
|
|
<d h'>( a'8 g) fis( e fis4) | %Partitur Dynamik
|
|
g h, a h8 a |
|
|
gis!4 gis'!(\p a h) |
|
|
c\cresc g a2 | %80
|
|
b4 a\f g a8 h | %Partitur Vorzeichen
|
|
c4 g8 gis a4 a~^^ |
|
|
a d, h h' |
|
|
r f(\f e d) |
|
|
c2( a'4) f'(\sf | %85
|
|
e) <a, a'> gis'!-- fis!-- |
|
|
e,2\mf f\cresc |
|
|
fis!4 g gis-. <h e>\ff |
|
|
<a a'> gis'8 fis e fis d4 |
|
|
<cis e> h8 a gis4 e | %90
|
|
a4 gis8 fis e fis d4 |
|
|
cis a' h8 cis a4 |
|
|
\mark\default %Fmark
|
|
e' r r2 |
|
|
R1 |
|
|
r4 r8 a,\mf gis4(-. g)-. | %Partitur staccato
|
|
fis\< ais h d | %95
|
|
e,\f fis8 gis a! h cis4 |
|
|
<d, d'> r r <d d'>-. |
|
|
<a' e'>-. <d, d'>-. <e cis'>-. <d d'>8 <d d'> |
|
|
<a' e'> <a e'> <d, d'> <d d'> <e cis'>4 <d d'>-. |
|
|
<a' e'>-. <d, d'>-. <e cis'>-. <e cis'> | %100
|
|
\mark\default %Gmark
|
|
<a a'>4( <b b'>2) <b b'>4 |
|
|
<a a'>2. <a a'>4 |
|
|
\tupletSpan 4
|
|
\undo\omit TupletNumber
|
|
\times 2/3 { e'8 dis fis e cis a \omit TupletNumber e dis fis e a cis } |
|
|
\times 2/3 { cis8\< a h cis e gis a, e gis a cis d! } | %Partitur Dynamik
|
|
gis,2\!^^ a^^ | %105
|
|
h^^ <h gis'>^^ |
|
|
<cis a'>8-. e,16 fis gis a h cis h( a) e a h cis d e |
|
|
d( cis) a cis e gis a cis h( a) e cis e a, cis e |
|
|
\rit
|
|
a1~\startTextSpan |
|
|
a~ |
|
|
a\fermata\stopTextSpan |
|
|
\bar "|."
|
|
}
|
|
|
|
\book {
|
|
\score {
|
|
\header { piece = "I. Erwartung" }
|
|
\new Staff \with {
|
|
midiInstrument = "violin"
|
|
\consists Merge_rests_engraver
|
|
\consists Measure_counter_engraver
|
|
}
|
|
\keepWithTag #'unfold
|
|
\keepWithTag #'instrument
|
|
\violinII_I
|
|
\layout { }
|
|
}
|
|
\score {
|
|
\header { piece = "II. Die Hirten" }
|
|
\new Staff \with {
|
|
midiInstrument = "violin"
|
|
\consists Merge_rests_engraver
|
|
\consists Measure_counter_engraver
|
|
}
|
|
\keepWithTag #'unfold
|
|
\keepWithTag #'instrument
|
|
\violinII_II
|
|
\layout { }
|
|
}
|
|
\score {
|
|
\header { piece = "III. Erscheinung des Engels" }
|
|
\new Staff \with {
|
|
midiInstrument = "violin"
|
|
\consists Merge_rests_engraver
|
|
\consists Measure_counter_engraver
|
|
}
|
|
\keepWithTag #'unfold
|
|
\keepWithTag #'instrument
|
|
\violinII_III
|
|
\layout { }
|
|
}
|
|
\score {
|
|
\header { piece = "IV. Bethlehem" }
|
|
\new Staff \with {
|
|
midiInstrument = "violin"
|
|
\consists Merge_rests_engraver
|
|
\consists Measure_counter_engraver
|
|
}
|
|
\keepWithTag #'unfold
|
|
\keepWithTag #'instrument
|
|
\keepWithTag #'stichnoten
|
|
\violinII_IV
|
|
\layout { }
|
|
}
|
|
\score {
|
|
\header { piece = "V. Die Hirten an der Krippe" }
|
|
\new Staff \with {
|
|
midiInstrument = "violin"
|
|
\consists Merge_rests_engraver
|
|
\consists Measure_counter_engraver
|
|
}
|
|
\keepWithTag #'unfold
|
|
\keepWithTag #'instrument
|
|
\violinII_V
|
|
\layout { }
|
|
}
|
|
\score {
|
|
\header { piece = "VI. Der Stern" }
|
|
\new Staff \with {
|
|
midiInstrument = "violin"
|
|
\consists Merge_rests_engraver
|
|
\consists Measure_counter_engraver
|
|
}
|
|
\keepWithTag #'unfold
|
|
\keepWithTag #'instrument
|
|
\violinII_VI
|
|
\layout { }
|
|
}
|
|
\score {
|
|
\header { piece = "VII. Anbetung der Weisen" }
|
|
\new Staff \with {
|
|
midiInstrument = "violin"
|
|
\consists Merge_rests_engraver
|
|
\consists Measure_counter_engraver
|
|
}
|
|
\keepWithTag #'unfold
|
|
\keepWithTag #'instrument
|
|
\violinII_VII
|
|
\layout { }
|
|
}
|
|
\score {
|
|
\header { piece = "VIII. Maria" }
|
|
\new Staff \with {
|
|
midiInstrument = "violin"
|
|
\consists Merge_rests_engraver
|
|
\consists Measure_counter_engraver
|
|
}
|
|
\keepWithTag #'unfold
|
|
\keepWithTag #'instrument
|
|
\violinII_VIII
|
|
\layout { }
|
|
}
|
|
\score {
|
|
\header { piece = "IX. Erfüllung" }
|
|
\new Staff \with {
|
|
midiInstrument = "violin"
|
|
\consists Merge_rests_engraver
|
|
\consists Measure_counter_engraver
|
|
}
|
|
\keepWithTag #'unfold
|
|
\keepWithTag #'instrument
|
|
\violinII_IX
|
|
\layout { }
|
|
}
|
|
\score {
|
|
\new Staff \with {
|
|
midiInstrument = "violin"
|
|
\consists Merge_rests_engraver
|
|
} { \tempo 4 = 66
|
|
\keepWithTag #'unfold
|
|
\keepWithTag #'original
|
|
\keepWithTag #'conductor
|
|
\unfoldRepeats
|
|
\violinII_I
|
|
\tempo 8 = 104
|
|
\keepWithTag #'unfold
|
|
\keepWithTag #'original
|
|
\keepWithTag #'conductor
|
|
\unfoldRepeats
|
|
\violinII_II
|
|
\tempo 4 = 69
|
|
\keepWithTag #'unfold
|
|
\keepWithTag #'original
|
|
\keepWithTag #'conductor
|
|
\unfoldRepeats
|
|
\violinII_III
|
|
\violinII_IV
|
|
\tempo 4 = 72
|
|
\keepWithTag #'unfold
|
|
\keepWithTag #'original
|
|
\keepWithTag #'conductor
|
|
\unfoldRepeats
|
|
\violinII_V
|
|
\tempo 4 = 104
|
|
\keepWithTag #'unfold
|
|
\keepWithTag #'original
|
|
\keepWithTag #'conductor
|
|
\unfoldRepeats
|
|
\violinII_VI
|
|
\tempo 4 = 60
|
|
\keepWithTag #'unfold
|
|
\keepWithTag #'original
|
|
\keepWithTag #'conductor
|
|
\unfoldRepeats
|
|
\violinII_VII
|
|
\tempo 4 = 72
|
|
\keepWithTag #'unfold
|
|
\keepWithTag #'original
|
|
\keepWithTag #'conductor
|
|
\unfoldRepeats
|
|
\violinII_VIII
|
|
\tempo 4 = 88
|
|
\keepWithTag #'unfold
|
|
\keepWithTag #'original
|
|
\keepWithTag #'conductor
|
|
\unfoldRepeats
|
|
\violinII_IX
|
|
}
|
|
\midi { \tempo 4 = 120 }
|
|
}
|
|
} |